With a firmly established industrial foundation, the progress of the city
has gone steadily forward. Commercial expansion, it is true, has been
broken occasionally by bursting real-estate booms, grasshopper plagues,
drought-stricken crops or general financial depression, but in material
welfare and ever-widening public activity the community takes rank with its
most wide-awake competitors. Besides its extensive jobbing interests, its
manufacturing development has been along the lines of silver smelting and
refining, linseed oil mills, white lead works, machine and locomotive
shops, and the great live-stock market and meat-packing establishments
that have formed the nucleus of the magic city braced against its boundary
under the name of South Omaha, and sure, sooner or later, to be one with it
in corporate existence, as it is already in life and business. Although not
yet past the fiftieth anniversary, Omaha boasts of all those advantages
that make an attractive living place--good schools, well-stocked free
libraries, substantial churches, art galleries, well-paved streets, with
water, light, and rapid transit, fine public parks, imposing public
buildings. Above all, it is a city of homes and home owners, thick with
modest dwellings though only meagrely supplied with palatial mansions.
Omaha's contribution to the world of science, art, and literature is
perhaps small, but it has given two presidents to the American Bar
Association in James M. Woolworth and Charles F. Manderson, the latter also
having filled the position of President _pro tem._ of the United States
Senate; in banking circles Herman Kountze and Joseph H. Millard are known
throughout the country; Edward Rosewater and his newspaper, _The Bee_,
occupy a place in the front rank of American journalism; the art gallery of
George Whininger is classed among the best private collections on this
side of the Atlantic; and the benevolence of John A. Creighton has received
recognition in the title conferred on him of Count in the Holy Roman See.
[Illustration OMAHA EXPOSITION, 1898. REPRODUCED BY PERMISSION OF F.A.
RINEHART, OMAHA]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account