A book of larger scope and of more serious influence soon followed. Germany at this time presented the singular spectacle of a people who had been reduced to the lowest depths of political depression, but who, at the same time, could boast of a contemporary literature that was the first in the world. In France a translation of 'Werther' had attained great popularity; some of the plays of Schiller, the idylls of Gessner, and a few other German works were well known; but scarcely any Frenchman had a conception of the magnitude and importance of the intellectual activity which was growing up beyond the Rhine, or of the vast place which Goethe, Schiller, and Kant were destined to take in European thought. It was one of the chief pleasures and occupations of Madame de Staël, during her exile, to explore this almost unknown field. It would scarcely have been thought that she was well fitted for the task. She learned the language late in life, and her characteristically French mind seemed very little in harmony with either the strength or the weakness of the Teutonic intellect. There was nothing very profound, or very subtle, or very poetical in her nature, and she had all that instinctive dislike to the vague, the disproportioned, the exaggerated, and the ambiguous, to fantastic and far-fetched conjecture, and to imposing edifices of speculation based upon scanty or shadowy materials, that pre-eminently distinguishes the best French thought. Very wisely, however, she placed herself in direct communication with the great writers of Germany, and a wholly new world of thought and sentiment gradually opened upon her mind. It is not too much to say that it was her pen that first revealed to the Latin world the intellectual greatness of Germany. In England, Coleridge had already laboured in the same field, and his admirable translation of 'Wallenstein' had appeared as early as 1800; but it had been completely still-born, and in England also it was reserved for the great Frenchwoman to give the first considerable impulse to the study of German literature. For the history, the merits, and the defects of her work on Germany, I cannot do better than to refer to the admirable pages which Lady Blennerhassett has devoted to the subject. With the doubtful exception of 'Le Génie du Christianisme,' it was by far the most important French work which appeared during the reign of Napoleon. It is a characteristic fact that the whole of the first edition was confiscated by order of his Government. Happily the manuscript was saved, and about three years later it was printed in England.