there must have been some bonhomie about the sufferer, some good repute as a merry fellow and one who loved a jest, which conciliated the populace. Instead of dead cats, they flung him nosegays; they gathered about his platform under the low deep arch which once made a mock gate to the city, and behind the bustling ’Change, and between the shops of Cheapside, holding a series of impromptu festivals, drinking his health, shouting out his new verses, which were sold by thousands in the streets: Hail, hieroglyphic state machine, Contriv’d to punish fancy in; Men that are men, in thee can feel no pain, And all thy insignificants disdain; Exalted on thy stool of state, What prospect do I see of sovereign fate. The bold satirist, looking through those “lofty loops,” recalls all the good men that have stood there, reminding himself that even the learned Selden had the pillory in prospect, and that, had he “triumphed on thy stage,” no man could have shunned it more. Contempt, “that false new word for shame,” has no power where there is no crime, he declares. The lines are rough, but the sentiments are manly and full of honest scorn, which here and there reaches a high tone. From his platform where he stood in all the emancipation of feeling that the worst had happened, he throws a bold glance upon the disorders of the time, political and social, and summons to this post of scorn the firebrands, the cowards, the failures of the age. One can imagine those keen gray eyes inspecting through the loops the hoarse and roaming groups, not sure perhaps what his reception was to be, gathering courage as the shouts became intelligible and turned into hurrahs for Defoe. No doubt he marked the fluctuating crowd as keenly as if he had been a careless spectator at a window, and saw Colonel Jack and his brother pickpockets threading devious ways among the multitude, with here and there a gallant from St. James in his long curled periwig fluttering on the edge, and the tradesmen, half curious, half unwilling to join in the riot, looking on from their doors. A pillory is a coign of vantage when the man upon it has eyes like Defoe’s. “Tell ’em,” he says, apostrophizing his platform contemptuously-- Tell ’em the men that placed him here Are friends unto the times, But at a loss to find his guilt, They can’t commit his crimes.