Historical Characters in the Reign of Queen AnneOliphant, Mrs. (Margaret)
History
Historical Characters in the Reign of Queen Anne
Oliphant, Mrs. (Margaret)
Addison, Joseph, 1672-1719; Anne, Queen of Great Britain, 1665-1714; Defoe, Daniel, 1661?-1731; Swift, Jonathan, 1667-1745
Harley has never appeared in history as a great man, but when we
consider that he was able thus to subjugate and secure to his own
service two of the greatest intelligences of his time, it is impossible
not to respect his influence and judgment. The great and somber genius
of Swift, the daring, brilliant, and ever-ready intellect of Defoe,
became instruments in the hands of this ordinary and scheming statesman.
Once more, with a curious parallelism, these two men stand before us--no
friends to each other. “An illiterate fellow, whose name I forget,”
says Swift, with the almost brutal scorn which was part of his
character; while Defoe replies to the taunt with angry virulence,
setting forth his own acquirements, “though he wrote no bill at his
door, nor set Latin on the front of his productions,” a piece of
pretension, habitual to the time, of which the other was guilty. But
Harley, who was not worthy, so far as intellect went, to clean the shoes
of either, had them both at his command, serving his purposes, doing his
bidding. Which of them suffered most by the connection it is not easy to
say. It turned Swift’s head, and brought into humiliating demonstration
the braggart and the bully in his nature. Defoe had not the demoralizing
chance of being the lord treasurer’s boon companion; but Harley made a
dishonest partizan, a paid and slippery special pleader and secret
agent, out of the free-lance of politics. From this moment the defenders
and champions of Defoe have to turn into casuists, as he himself did.
They have to give specious explanations to suppress and account for his
shifts and changes, though at first they were sufficiently innocent. The
evil grew, however, so that toward the end of his career even the
apologist must keep silence; but this is the nature of all evil.
If excuses are to be sought for Defoe’s conduct in this first beginning
of his slavery, it will not be difficult to find them. The age, for one
thing, was corrupt through and through. There was not a statesman but
had two strings to his bow, nor a politician of any description who did
not attempt to serve two masters. To hold the balance between Hanover
and St.-Germain, ready to perform a demi-volt in the air at any moment
as the scale should turn, was the science of the day. On the other hand,
Defoe was now a ruined man, with a family to support, and nothing but
his busy and inexhaustible pen to do it with. The material inducement of
a certain income to fall back upon, whatever
[Illustration: ROBERT HARLEY, EARL OF OXFORD.
ENGRAVED BY JOHN P. DAVIS, AFTER THE ORIGINAL PAINTING BY SIR GODFREY
KNELLER, IN THE BRITISH MUSEUM.]
Public-domain text, read in full here on John Shaqi.
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