Historical Characters in the Reign of Queen AnneOliphant, Mrs. (Margaret)
History
Historical Characters in the Reign of Queen Anne
Oliphant, Mrs. (Margaret)
Addison, Joseph, 1672-1719; Anne, Queen of Great Britain, 1665-1714; Defoe, Daniel, 1661?-1731; Swift, Jonathan, 1667-1745
sadly tried in her husband; and so that suffering woman had to suffer
over again in her reputation after her life’s trouble is over. It is
very unfair to the poor women who have left no champions behind.
The end of our “Spectator’s” life was, however, clouded with more than
one unfortunate quarrel, the greatest of which has left its sting behind
to quiver in Addison’s name as long as Pope and he are known. It is
neither necessary nor edifying to enter at length into the bitternesses
of the past. Pope fancied himself aggrieved in various ways by the man
who had warmly acknowledged his youthful merits, and received him
(though so much his senior in years and fame) on a footing of equality,
and who all through never spoke an ill-natured word of the waspish
little poet. He believed, or persuaded himself to believe, in his
malignant little soul that Addison was jealous of his greatness, and had
set up Tickell to rival him in the translation of Homer; and he
believed, or pretended to believe, on the supposed authority of young
Warwick, that Addison had hired a vulgar critic to attack him. There
seems not the slightest reason to believe that either of these
grievances was real. Tickell had written simultaneously a translation,
which Addison had read and corrected, on account of which he courteously
declined to read Pope’s translation of the same, telling him the reason,
but accepting the office of critic to the second part of Pope’s work. He
had himself, according to the poet’s brag, accepted Pope’s corrections
of “Cato,” leaving “not a word unchanged that I objected to”; and he was
not moved to any retaliation by Pope’s attack upon him, but continued
serenely to praise his envious little assailant with a magnanimity which
is wonderful if he had seen the brilliant and pitiless picture so
cunningly drawn within the lines of nature, with every feature
travestied so near the real, that even Addison’s most faithful partizan
has to pause with alarm lest the wicked thing so near the truth might
perhaps be true. We hesitate to add to the serene and gentle story of
our man of letters this embittered utterance of spite and malice and
genius. The lines are sufficiently well known.
Public-domain text, read in full here on John Shaqi.
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