Historical Characters in the Reign of Queen AnneOliphant, Mrs. (Margaret)
History
Historical Characters in the Reign of Queen Anne
Oliphant, Mrs. (Margaret)
Addison, Joseph, 1672-1719; Anne, Queen of Great Britain, 1665-1714; Defoe, Daniel, 1661?-1731; Swift, Jonathan, 1667-1745
From the moment of this discovery, and of the further facts that the
marriage had taken place under Anne’s auspices, and that Abigail had
already taken advantage of her favor to bring Harley into close
relations with the queen, the duchess gave her mistress little peace.
Fiery letters were showered daily upon the queen. She let nothing pass
without a hasty visit, or a long epistle. If it were not for the
pertinacity with which she returns again and again to one subject, these
letters have so much force of character in them that it would be
impossible not to enter with sympathetic excitement into the fray. The
reader is carried along by the passionate absorption of the writer’s
mind as she pours forth page upon page, flying to her desk at every new
incident, transmitting copies of every epistle to Godolphin to secure
his coöperation, and to Marlborough, though so much farther off, to show
him how she had confuted all his adversaries. And then there follows a
record of stormy scenes, remonstrances, and appeals that lose their
effect by repetition. The duchess would never accept defeat. Every new
affront, every symptom of failure in the policy which she supported with
so much zeal, made her rush, if possible, to the presence of the queen,
with a storm of reproaches and invectives, with tears of fury and
outcries of wrath,--or to the pen, with which she reiterated the same
burning story of her wrongs. Anne is represented to us throughout in an
attitude of stolid and passive resistance, which increases our sympathy
with the weeping, raging, passionate woman, whose eloquence, whose
arguments, whose appeals and entreaties all dash unheeded against the
rock of tranquil obstinacy which is no more moved by them than the cliff
is moved by the petulance of the rising tide; although, on the other
hand, a similar sympathy is not
[Illustration: THE DUCHESS OF MARLBOROUGH.
ENGRAVED BY R. G. TIETZE, FROM MEZZOTINT AFTER PAINTING BY SIR GODFREY
KNELLER.]
wanting for the dull and placid soul which could get no peace, and which
longed above all things for tranquillity, for gentle attentions and soft
voices, and the privilege of nominating bishops and playing basset in
peace. Poor lady! on the whole it is Queen Anne who is most to be
pitied. She was often ill, always unwieldly and uncomfortable. She had
nobody but a soft, gliding, smooth-tongued Abigail to fall back upon,
while the duchess had half the great men of the time fawning upon her,
putting themselves at her feet: her husband prizing a word of kindness
from her more than anything in the world; her daughters describing
her as the dearest mother that ever was; money--which she
loved--accumulating in her coffers; and great Blenheim still a-building,
and all kinds of noble hangings, cut velvets and satins, pictures, and
every fine thing that could be conceived, getting collected for the
adornment of that great house.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account