Historical Characters in the Reign of Queen AnneOliphant, Mrs. (Margaret)
History
Historical Characters in the Reign of Queen Anne
Oliphant, Mrs. (Margaret)
Addison, Joseph, 1672-1719; Anne, Queen of Great Britain, 1665-1714; Defoe, Daniel, 1661?-1731; Swift, Jonathan, 1667-1745
The life of the household of dependents at Moor Park, where young Swift
attended Sir William’s pleasure in the library, while the Johnsons and
Dingleys, the waiting-gentlewomen of a system which now lingers only in
courts, hung about my lady, her relatives, gossips, servants, is to us
extremely difficult to realize, and still more to understand. This
little cluster of secondary personages, scarcely at all elevated above
the servants, with whom they sometimes sat at table, and whose offices
they were always liable to be called on to perform, yet who were all
conscious of gentle blood in their veins, and a relationship more or
less distinct with the heads of the house, is indeed one of the most
curious lingerings of the past in the eighteenth century. When we read
in one of Macaulay’s brilliant sketches, or in Swift’s own words, or in
the indications given by both history and fiction, that the
parson,--perhaps at the great house,--humble priest of the parish, found
his natural mate in the waiting-maid, it is generally forgotten that the
waiting-maid was then in most cases quite as good as the parson: a
gently bred and well-descended woman, like her whom an unkind but not
ignoble fate made into the Stella we all know, the mild and modest star
of Swift’s existence. It was no doubt a step in the transition from the
great medieval household, where the squire waited on the knight with a
lowliness justified by his certainty of believing himself knight in his
turn, and where my lady’s service was a noble education, the only school
accessible to the young gentlewomen of her connection--down to our own
less picturesque and more independent days, in which personal service
has ceased to be compatible with the pretensions of any who can assume,
by the most distant claim, to be “gentle” folk. The institution is very
apparent in Shakspere’s day, the waiting-gentlewomen who surround his
heroines being of entirely different mettle from the soubrettes of
modern comedy. At a later period such a fine gentleman as John Evelyn,
in no need of patronage, was content and proud that his daughter should
enter a great household to learn how to comport herself in the world. In
the end of the seventeenth century the dependents were perhaps more
absolutely dependent. But even this, like most things, had its better
and worst side.
Public-domain text, read in full here on John Shaqi.
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