Historical Characters in the Reign of Queen AnneOliphant, Mrs. (Margaret)
History
Historical Characters in the Reign of Queen Anne
Oliphant, Mrs. (Margaret)
Addison, Joseph, 1672-1719; Anne, Queen of Great Britain, 1665-1714; Defoe, Daniel, 1661?-1731; Swift, Jonathan, 1667-1745
was absent, and his anguish at the news was curiously mingled with an
overwhelming dread lest she should die at the deanery, and thus
compromise her reputation and his own; perhaps, too, lest the house to
which he must return should be made intolerable to him by the shadow of
such an event. That he should have kept away, with his usual terror of
everything painful, was entirely in keeping with his character. But the
first alarm passed away, and Swift was in the deanery when this great
sorrow overtook him. He who had kept a letter for an hour without daring
to open it, in which he trembled to find the news of her death, now shut
himself up heartbroken in his solitary house, and, somewhat calmed by
the irrevocable,--as grief, however desperate, always must
be,--proceeded to give himself what consolation was possible by writing
a “Character,” as was the fashion of the time, of “the truest, most
virtuous, and valuable friend I, or perhaps any other person, was ever
blessed with.” The calm after the storm, but a calm of sober despair and
dread, unreal composure, is in this strange document. He wrote till “my
head aches, and I can write no more,” and on the third day resumed and
completed the strange and melancholy narrative.
This is the night of her funeral, which my sickness will not suffer
me to attend. It is now nine at night, and I am removed into
another apartment, that I may not see the light in the Church,
which is just over against the window of my bedchamber.
She was buried in his own cathedral by torchlight, as the custom was;
but he would no more bear the glimpses of that awful light through the
window, than he could witness the putting away of all that remained of
Stella in the double gloom of the vault and the night. In that other
apartment he concluded his sad panegyric, the story of all she was and
did, showing with intense but subdued eloquence that there was no fault
in her. “There is none like her, none.” This is the burden of the old
man’s self-restrained anguish, the tragedy of his age, as it is the
young lover’s pæan of triumph. The truest, most valuable friend that
ever man had--and now her beautiful life was ended, to be his
consolation no more. He had a lock of her hair in his possession
somewhere, either given him then or at some brighter moment, which was
found after his death, as all the world knows, with these words written
upon the paper that contained it: “Only a woman’s hair.” Only all the
softness, the brightness, the love and blessing of a life; only all that
the heart had to rest upon of human solace; only that--no more. He who
had thanked God and M. D.’s prayers for his better health, had now no
one to pray for him, or to receive his confidences. It was over, all
that best of life--as if it had never been.
Public-domain text, read in full here on John Shaqi.
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