Historical Parallels, vol. 1 (of 3)Malkin, Arthur Thomas
History
Historical Parallels, vol. 1 (of 3)
Malkin, Arthur Thomas
History -- Popular works; World history -- Popular works
We must touch very lightly upon the horrors of the retreat, confining
ourselves to a brief statement of the leading facts, and of the results
of the whole. Famine, cold, and the sword combined to punish an unjust
aggression. When the French left Moscow they numbered one hundred and
twenty thousand men under arms, with an immense train of baggage and
camp followers: in twenty–six days, from October 19th to November
13th, when the Emperor quitted Smolensk, their organized force was
reduced to thirty–six thousand men, and they had lost three hundred
cannon. Napoleon’s partisans have tried to shelter him from blame, by
alleging the premature rigour of winter as the cause of this wholesale
destruction. No doubt cold was the main agent in it, but the nature of
a Russian winter was well known, and should have been considered in the
scheme of the campaign; and so far was it from being premature, that
the frost did not begin till November 7th, only three days before the
French van and the Emperor arrived at Smolensk. Other causes aided to
produce this result. Napoleon intended to return to the above–named
town by the unwasted route of Kalouga and Medyn, but the Russian
army barred his way, and, after an obstinate contest,[212] turned him
back on the ravaged country through which he had already passed. Here
neither food, shelter, nor clothing could be procured, and thousands
fell victims rather to the want of all appliances to bear it, than to
the intolerable severity of the winter itself. Numbers fell in battle,
or were intercepted and slain, or made prisoners by the ever active
hostility of the Cossacks who hovered round their march: still the loss
sustained in warfare was small in comparison to that which resulted
from the combined operation of hunger and cold. The appearance of this
new enemy, and its effects, moral and physical, are powerfully, though
rather theatrically, described by the Comte de Segur, himself a sharer
in the miseries which he describes.
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