Historical Parallels, vol. 2 of 3)Malkin, Arthur Thomas
History
Historical Parallels, vol. 2 of 3)
Malkin, Arthur Thomas
History -- Popular works; World history -- Popular works
On comparing this pestilence with that of Athens, we cannot fail to
observe their different effects upon the conduct and tempers of those
who were exposed to their influence. In the one, party spirit (and the
factions of Constantinople were pursued with a violence as desperate
as their origin was trivial) was hushed, and the most profligate were
awed into temporary decency; in the other, every chain of society was
loosed, every duty toward God and man forgotten in the intoxication
of danger, and the craving to drown thought in sensual pleasure. “Let
us eat and drink, for to–morrow we die,” was truly the maxim of the
Athenians. Surely this difference can only be ascribed to the powerful
effects produced by the received belief of a future existence upon the
minds even of those who, under common circumstances, seemed regardless
of such considerations. Among the Athenians practically no such belief
existed; it was the creed of their poets, it was inculcated at their
mysteries, but it was devoid of all authority to serve as a rule of
conduct. In no age or place in which the Christian religion has been
professed, however corrupted in principle or depraved in practice, has
that general depravity, which is described by Thucydides, ensued in
consequence of a similar calamity. The nearest approach to it is to
be found in the great plague of Florence, as related by Boccacio. His
account indeed, as being the introduction to a work of fiction, might
be suspected of exaggeration for purposes of effect. It is, however,
completely confirmed by Matteo Villani, in his continuation of the
history of Giovanni Villani, his brother, who himself died in this
plague. His narration gives some striking particulars of the duration
and extent of the calamity, and of the evil consequences which it left
behind it; which will serve well to introduce and corroborate the more
picturesque and highly–coloured narrative of Boccacio.
Public-domain text, read in full here on John Shaqi.
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