Historical Parallels, vol. 2 of 3)Malkin, Arthur Thomas
History
Historical Parallels, vol. 2 of 3)
Malkin, Arthur Thomas
History -- Popular works; World history -- Popular works
“In the first place, a blazing star or comet appeared for several
months before the plague, as there did the year after, another,
a little before the fire; the old women, and the phlegmatic
hypochondriacal part of the other sex, whom I could almost call old
women too, remarked, especially afterwards, though not till both
those judgments were over, that those two comets passed directly over
the city, and that so very near the houses, that it was plain they
imported something peculiar to the city alone; and the comet before
the pestilence was of a faint, dull, languid colour, and its motion
very heavy, solemn, and slow; but that the comet before the fire was
bright and sparkling; or as others said, flaming, and its motion swift
and furious, and that accordingly one foretold a heavy judgment, slow
but severe, terrible and frightful, as was the plague. But the other
foretold a stroke, sudden, swift, and fiery, as was the conflagration;
nay, so particular some people were, that as they looked upon that
comet preceding the fire, they fancied that they not only saw it pass
swiftly and fiercely, and could perceive the motion, with their eye,
but even they heard it, that it made a rushing mighty noise, fierce and
terrible, though at a distance, and but just perceivable.
“I saw both these stars, and I must confess, had had so much of the
common notion of such things in my head, that I was apt to look
upon them as the forerunners and warnings of God’s judgments, and
especially, when the plague had followed the first, I yet saw another
of the like kind, I could not but say, God had not yet sufficiently
scourged the city.
[Illustration:
[Medal in commemoration of the plague and fire of London. It represents
the eye of God in the centre, and the two comets, one on each side; that
on the right showering down pestilence upon the city. On the other side
the city is represented on fire, while a violent east wind is urging the
flames. The foreground is full of images of distress: a ship tossed by
the waves; a man drowning; a withered tree: Death fighting with a man on
horseback. The reverse of this curious piece, the history of which, when
and by whom it was struck, is, we believe, unknown, is given in p. 230.
Legend: “So he punishes.”]
Public-domain text, read in full here on John Shaqi.
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