Historical Parallels, vol. 2 of 3)Malkin, Arthur Thomas
History
Historical Parallels, vol. 2 of 3)
Malkin, Arthur Thomas
History -- Popular works; World history -- Popular works
“A great number of people having come one day in a tumultuous manner
to a magistrate whose name was Adrian, exclaiming that he ought either
to give them food, or deliver the town into the hands of the enemy: ‘I
have solemnly sworn,’ he replied, ‘that I will never surrender myself
or my fellow–citizens to the cruel and perfidious Spaniard; and I will
sooner die than violate my oath. I have no food, else I would give it
you. But if my death can be of use to you, take, tear me in pieces, and
devour me; I shall die with satisfaction, if I know that by my death
I shall for one moment relieve you from your direful necessity.’ By
this extraordinary answer, the people, struck with astonishment, were
silenced, and their fury was for some time appeased.”[63]
In default of a better parallel to the battle of Salamis, we conclude
this chapter with the overthrow of the Spanish Armada. The points of
resemblance, such as they are, are sufficiently obvious and general,
and consist in the magnitude of the interests at stake, in the alacrity
shown by the English as well as by the Athenian people, and in the
signal defeat of the greater by the less force. We may also direct
attention to the circumstance, that in each case the defeated fleet
was superior to its antagonist in the bulk no less than the number
of its ships, and in each case owed its destruction mainly to that
very superiority; the lighter and more manageable vessels proving
an over–match for their formidable–looking opponents. The incident,
however, is sufficiently striking to deserve notice, even if the
resemblance were weaker, and if national vanity called less strongly
for its insertion; independently of which we have some pleasure
in giving the following high–sounding specimen of a contemporary
historian, who has summoned all his powers to match the dignity of his
subject by the elevation of his style.
Public-domain text, read in full here on John Shaqi.
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