Historical Romance of the American NegroFowler, Charles Henry
History
Historical Romance of the American Negro
Fowler, Charles Henry
African Americans -- History
Let us then judge fairly, and award to the colored race what belongs to
them by right. As in the days of slavery, so at the present day it is
the colored man who still extracts the wealth from the soil of the
South, partly for himself, and partly for the white man. He can stand
the heat of the sun far better than the white tiller of the soil, and it
seems that the rich white man would rather have him than the other. In
the days of slavery we had to do the best we could. We had no Vanderbilt
palaces to live in then. But now we have at least lots of comforts—nice
furniture, carpets, pictures hanging from our walls, whole libraries on
our book-shelves, and hundreds of other things too numerous to mention.
[Illustration: _GRANT’S TOMB._]
Music and song are more or less bound up with the history of every
nation of which we have ever heard or read. Away back in the dark night
of slavery in America, the slaves in the field used to sing their
mournful, plaintive, yet musical ditties to lighten their heavy labors,
and cheer up their hearts. These ditties were songs and prayers at one
and the same time. In the day of his distress, the African never forgot
the God who brought Israel out of Egypt, and we know quite well that
many of our own people confidently expected that day of happy
deliverance that came at last to all. Therefore they sang praises unto
the Lord, God of Israel, and, like the Psalmist, they prayed and sang at
the same time; and we have it plainly on record that they had powerful
lungs and most wonderfully rich voices, showing in advance what great
and famous singers they would become if their musical talents were only
fully developed like others. I have already spoken of the "Jubilee
Minstrels," who were mostly born in slavery, many of whom indeed "came
up by the rough side of the mountain," and yet who possessed such a
wealth of music and song within themselves that they surprised the whole
country, and even crossed the North Atlantic, and rendered themselves
illustrious for all coming time by performing and singing before Queen
Victoria, the grandees and general population of the British Isles, and
some of the royal families, and magnates and peoples of continental
Europe. This was honor, indeed, with a vengeance! Old England and all
the rest cared nothing for the color of the skin. They all at once set
their seals upon the wonderful talents of the colored race in the
musical line, and there was rejoicing among Freedom’s friends over all
the earth.
Public-domain text, read in full here on John Shaqi.
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