Historical Romance of the American NegroFowler, Charles Henry
History
Historical Romance of the American Negro
Fowler, Charles Henry
African Americans -- History
Seeing, therefore, that they had been so well trained as regulars, we
need not wonder that they acquitted themselves so well in the
preliminary assault, that occurred before preparations were made for the
final advance on the doomed city. That part of the operations of our men
that caused most noise to be made in the newspapers and elsewhere took
place when Colonel Roosevelt and his Rough Riders advanced up one of the
hills that was overgrown with dense brushwood, where the Spaniards had
dug trenches along the face of the hill, and had run powerful wire
fences along the front of those trenches, from which they fired upon the
Americans as they came up the hill-side. The Rough Riders had a hard
time of it as they advanced in the face of the showers of balls that
were poured down upon them. Little progress did they make, although they
lay down again and again to let those leaden showers pass over their
devoted heads. Colonel Roosevelt had a horse killed under him, jumped
off the animal before it carried him under as it fell, and advanced up
the hill in advance of all his men, shouting to them to come on. Well,
of course, the men did come on; but some were killed here, and others
were wounded there; while as for the Spaniards, they went down like
grass before the scythe. As a general thing they were bad shots—as might
be expected of a dying nation still bragging of the deeds of their
ancestors four hundred years back; and they themselves swollen with
ignorance and pride, too haughty to be taught better ways! Thus the
Rough Riders gravely struggled up the hill-side, cutting the wire fences
as they went, clearing the retreating Spaniards out of the rifle-pits
(or trenches, rather), lying down and advancing again and again as best
they could. It was evident that they must suffer great losses, or might
even fail altogether.
Public-domain text, read in full here on John Shaqi.
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