Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular PoetryTalvj
History
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry
Talvj
Folk songs, Slavic; Slavic languages -- History; Slavic literature -- History and criticism
The French language indeed, independently of the political events of
modern times, had already acted powerfully on the Polish at the close
of the preceding period. In poetry, the affected bombastic school of
the Gongorists and Marinists had been supplanted throughout all Europe
by the better taste of the cold, stiff, and formal French poets, whose
defects it was much easier to imitate than their merits. For more than
half a century the French language reigned with an uncontrolled and
unlimited sovereignty over all the literary world. But its most
absolute dominion was in Poland. In the manners of the nobility of
this country, French gracefulness and ease were, in a peculiar and
interesting manner, blended with the daring heroism of the knight and
the luxuriousness of the Asiatic despot. French refinement and French
witticism covered the rudeness and revelry characteristic of the
middle ages. French teachers and governesses had inundated the whole
country, and a journey to France was among the requisite conditions of
an accomplished education. The Polish writers--all of them belonging
to the nobility--to whom, from their youth, the French language was
equally familiar with their own, unconsciously disfigured the latter
by Gallicisms; since French forms of expression seemed to be the
best adapted for the expression of French thoughts and French
philosophy. A modern Polish author calls the Polish literature of this
period a second edition of the French with inferior types and on worse
paper.[45] Long after the rest of literary Europe had shaken off the
yoke, the Polish poets, although the genius of their rich, creative,
and pliant language was decidedly opposed to such a slavery, continued
to submit to French rules and laws, and do so partly still.
We begin the enumeration of the distinguished writers of this period,
with its principal founder, Stephen Konarski, mentioned above,[46] who
was born A.D. 1700, and died in 1773. In his seventeenth year he
entered the order of Piarists, and became later a professor in the
college of this congregation at Warsaw. After a long stay in Italy and
France, he returned to Poland; accompanied king Stanislaus Leszczynski
to Lorrain; but again returned to his country and founded several
institutions for education in Warsaw, Wilna, and Lemberg, on
principles different from those of the Jesuits. In the year 1747 he
went a third time to France, but returned after three years; and from
that time devoted himself entirely to the literary and mental reform
of his own country. Of his printed works, twenty-eight in number,
fourteen are written in Polish. They embrace different topics in
poetry, and a tragedy; but his principal merits lie in his writings on
the subject of politics and education.[47]
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