Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular PoetryTalvj
History
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry
Talvj
Folk songs, Slavic; Slavic languages -- History; Slavic literature -- History and criticism
vocabularies, compiled among the Polabæ and Linones, i.e. the
inhabitants adjacent to the Elbe, in Slavic _Labe_, and to the Leine,
in Slavic _Linac_.
Long after the whole region was perfectly Germanized, a few towns in
the eastern corner of the present kingdom of Hanover, were still
almost exclusively inhabited by a people of Slavic race, who in the
seventeenth century, and even to the middle of the eighteenth, had
preserved in some measure their language and habits. But, since the
Germans were strongly prejudiced against the Vendish name,--the
nations of this race, especially those in the western part of the
German territories, being despised as subjugated tribes, and inferior
in general knowledge and information,--they gradually renounced their
national peculiarities. Towards the close of the seventeenth century,
when Hennings, German pastor at Wustrow, took great pains to collect
among them historical notices and a vocabulary of their language, he
found the youth already ignorant of the latter, and the old people
almost ashamed of knowing it, or at least afraid of being laughed at
by their children. They took his inquiries, and those of other
intelligent persons, in respect to their ancient language and
usages, as intended to ridicule them, and denied at first any
knowledge of those matters. We find, however, that preaching in the
Vendish language of this region was still continued for some time
later. Divine service was held in it for the last time at Wustrow, in
the year 1751. According to the vocabularies which Hennings and a few
others collected, their dialect, like that spoken in Lower Lusatia,
was nearly related to the Polish language; partaking however in some
peculiarities of the Bohemian, and not without some of its own.[1]
Public-domain text, read in full here on John Shaqi.
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