Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular PoetryTalvj
History
Historical View of the Languages and Literature of the Slavic Nations: With a Sketch of Their Popular Poetry
Talvj
Folk songs, Slavic; Slavic languages -- History; Slavic literature -- History and criticism
It is true, that, wherever Christianity has been carried, similar
contradictions must necessarily have taken place: but the mind of the
Slavic nations, so far as it is manifest in their poetry, seems never
to have been perplexed by these contradictions. History shows, that
the Slavic nations, with the exception of those tribes who were
excited to headstrong opposition by the cruelty and imprudence of
their German converters, received Christianity with childlike
submission; in most cases principally because their superiors adopted
it.[13] Vladimir the Great, to whom the Gospel and the Koran were
offered at the same time, was long undecided which to choose; and was
at last induced to embrace the former, because "his Russians could not
live without the pleasure of drinking."[14] The wooden idols, it is
true, were solemnly destroyed; but numerous fragments of their altars
were suffered to remain undisturbed at the foot of the cross; and the
passion-flower grew up in the midst of the wild broom, the branches
of which, tied together, the Tshuvash considers, even at the present
day, as his tutelary spirit or Erich[15]. No struggle seems ever to
have taken place, to reconcile these contradictory elements; while the
more philosophical spirit of the Teutonic nations, and their genius
for meditation and reflection, could not be so easily satisfied. The
character of the Teutonic world of spirits is the reflex of this
struggle. The foggy veil which covers their forms, the mysterious
riddles in which their existence is wrapped, the anxious pensiveness
which forms a part of their character, all are the results of these
fruitless and mostly unconscious endeavours to amalgamate opposing
elements. We cannot approach the region of their mysterious existence
without an awful shuddering; while the few fairies, which Slavic
poetry and superstition present us, strike us by the distinctness and
freshness of their forms, and give us the unmingled impression either
of the ludicrous or of the wild and fantastic.
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