More remarkable, however, in Slavic popular poetry, is the peculiar relation of the sister to the brother. This remark holds especially good of Servia. Sisters cling to their brothers with a peculiar warmth of feeling. These are their natural protectors, their supporters. They swear by the head of their brothers. To have no brother is a misfortune, almost a disgrace. A mourning female is represented in all Slavic poetry under the constant image of a cuckoo; and the cuckoo, according to the Servian legend, was a sister who had lost her brother. Numerous little songs illustrate the great importance which a Servian girl attaches to the possession of a brother. Those who have none, think even of artificial means for procuring one. This is exhibited in a pretty little ballad, where two sisters, who have no brother, make one out of white and pink silk wound around a stick of box-wood; and, after putting in two brilliant black stones as eyes, two leeches as eyebrows, and two rows of pearls as teeth, put honey in his mouth, and entreat him "to eat and to speak." In another ballad, of a more serious description, "George's young wife" loses at once in battle her husband, her brideman (_paranymphos_, in Servia a female's legitimate friend through life), and her brother. The gradations of the poetess in her description of the widow's mourning are very characteristic, and give no high idea of conjugal attachments in Servia. For her husband, she has cut her hair; For her brideman she has torn her face; For her brother she has plucked her eyes out. Hair she cut, her hair will grow again; Face she tore, her face will heal again; But the eyes, they'll never heal again, Nor the heart, which bleedeth for the brother. After having thus attempted to point out to the reader what we consider as the _general_ characteristic features of Slavic popular poetry, we proceed to add a few remarks on the _distinguishing_ traits of the different nations of the Slavic race individually, so far as our limits permit. And here it is among the nations of the EASTERN STEM that we must look for our principal harvest. We follow the same order as in the former parts of this work. The RUSSIANS have very few ballads of high antiquity; and, even in this small number, hardly any one has reference to the heroic prose tales, which are the delight of Russian nurseries.