It was in Florence that Baronte at last ran to earth that terrific secret which for ten long months had eluded and maddened him. Here, in the summer of 1819, was present once again that fiend incarnate of melody, that monster Paganini--and more astounding, more inexplicable than ever. He had taken the city captive as utterly as any Marmaldo; he drew its people, extravagantly laughing and sobbing, in the wake of his devil’s music. And Florence was Baronte’s native town, and it was here, he had felt, that his quest must end, though even at the gates of Death. And, behold! Fate, even in the shadow of his reason’s overthrow, had vouchsafed him at length and at least an approximate solution of the mystery. What mystery, then, and what secret? Why those that touched upon the source of the Maestro’s superhuman powers--nothing more nor less. But, for whatever was their ethical value, they had haunted Baronte’s soul for full ten months--ever since that night, in fact, when he had first heard Paganini play in the Scala Theatre at Milan. And from that night onwards he had followed his evil genius, as he regarded the man, from town to town, feeding yet hungering, drinking yet thirsting, loathing and lusting at once. Baronte was himself, though an amateur, a rare violinist. He knew as well as most the extreme capacities of the instrument, and the sympathies possible to be created between its sensitive mechanism and the interpretative soul of its player. But here was something which as much surpassed the conceivable limits of human execution as it surpassed mortal understanding in its expression of superhuman passions and emotions. It was not instrumentation to which one listened, but temptation--melodious frenzy, an ecstatic lure to things forbid, rendered not by, but through a human medium. The great Master, it was very certain, was in league with the devil to betray mankind through the most voluptuous of its senses, and in no other way could the miracle be explained. Baronte felt it in every nerve of his responsible being, and sought nothing but a confirmation of his suspicions to dare a martyr’s fate. Young, emotional, fanatic, with haggard face and brilliant eyes, he retained all of that religious fervour which had once kept him hesitating on the threshold of the Church, and which still yielded to nothing but his passion for music. And at last he stood on the brink, as he believed, of the great discovery. The dread secret lay to be exhumed, he had convinced himself, from the recesses of the little black morocco handbag which the dark Master perpetually carried about with him.