"I must record my impression that a minute study of the facts of Richard's life has tended more and more to convince me of the general fidelity of the portrait with which we have been made familiar by Shakespeare and Sir Thomas More. I feel quite ashamed, at this day, to think how I mused over this subject long ago, wasting a great deal of time, ink and paper, in fruitless efforts to satisfy even my own mind that traditional black was real historical white, or at worst a kind of grey. ... {823} Both the character and personal appearance of Richard III. have furnished matter of controversy. But with regard to the former the day has now gone by when it was possible to doubt the evidence at least of his principal crime; and that he was regarded as a tyrant by his subjects seems almost equally indisputable. At the same time he was not destitute of better qualities. ... As king he seems really to have studied his country's welfare, passed good laws, endeavoured to put an end to extortion, declined the free gifts offered to him by several towns, and declared he would rather have the hearts of his subjects than their money. His munificence was especially shown in religious foundations. ... His hypocrisy was not of the vulgar kind which seeks to screen habitual baseness of motive by habitual affectation of virtue. His best and his worst deeds were alike too well known to be either concealed or magnified; at least, soon after he became king, all doubt upon the subject must have been removed. ... His ingratiating manners, together with the liberality of his disposition, seem really to have mitigated to a considerable extent the alarms created by his fitful deeds of violence. The reader will not require to be reminded of Shakespeare's portrait of a murderer who could cajole the woman whom he had most exasperated and made a widow into marrying himself. That Richard's ingenuity was equal to this extraordinary feat we do not venture to assert; but that he had a wonderful power of reassuring those whom he had most intimidated and deceiving those who knew him best there can be very little doubt. ... His taste in building was magnificent and princely. ... There is scarcely any evidence of Richard's [alleged] deformity to be derived from original portraits. The number of portraits of Richard which seem to be contemporary is greater than might have been expected. ... The face in all the portraits is a remarkable one, full of energy and decision, yet gentle and sad-looking, suggesting the idea not so much of a tyrant as of a mind accustomed to unpleasant thoughts. Nowhere do we find depicted the warlike hard-favoured visage attributed to him by Sir Thomas More. ... With such a one did the long reign of the Plantagenets terminate. The fierce spirit and the valour of the race never showed more strongly than at the close.