“The superior and dean of this collegiate church had, in common with
those of other Saxon foundations, the right of hereditary succession, and
even claimed a privilege of alienating the property to other than
religious uses. In the year 1150, when monastic institutions were
universally popular, and the colleges of the secular clergy had fallen
into disrepute, Richard de Belesme, then dean of St. Alkmund’s,
voluntarily surrendered the estates of the deanery, which lay at
Lilleshall, towards the endowment of an abbey of canons regular of St.
Augustine, about to be erected on that spot made sacred by the sepulchre
of the patron saint of his church; and so great was his zeal for this new
institution, that he solicited and obtained the consent of the Pope and
King Stephen for dissolving the college entirely, and for transferring
all its estates to the new abbey. Thus stripped of all its landed
property, the benefice sank from a collegiate establishment to a poor
vicarage, which continued in the patronage of the monks of Lilleshall
till the dissolution, when it became vested in the crown.”
The old church was a spacious structure, exhibiting various styles of
architecture, from the Anglo-Norman period to the middle of the sixteenth
century. Of its antiquity, however, few features remain; for the panic
caused by the sudden fall of St. Chad’s church, induced the parishioners
of St. Alkmund to petition parliament to pull down the body of the old
church, and erect a new one on its site. The modern building is in the
ancient pointed style of architecture; an oblong square, eighty-two feet
by forty-four feet, with a recess for the altar. The ancient tower,
terminated with crochetted pinnacles, remains, and is seventy feet high,
surmounted with a chaste and elegantly proportioned spire, one hundred
and fourteen feet—making a total of 184 feet from the ground. Over the
altar is a window of painted glass, executed about fifty years ago by
Eginton, representing Evangelical Faith, in a female figure as large as
life kneeling on a cross, with the eyes elevated and the arms extended
towards a celestial crown, which appears amidst the opening clouds, This
window was erected at a cost of two hundred guineas. The church is
handsomely fitted up, and will accommodate a congregation of 800 persons.
Upon the gallery, at the west end, is a good organ, erected by
subscription in 1823. The tower contains a peal of eight bells, recast
in 1813. The sound of church bells was supposed to be very efficacious
in chasing away the spirit of darkness by our superstitious ancestors.
The following curious notice will shew that they were not at all times
proof against infernal agency:—
Public-domain text, read in full here on John Shaqi.
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