Thus, in the light of words, the historical relation between
mechanics and physiology looks not unlike that relation between
mathematics and astronomy which was suggested in a previous chapter.
We drew from out our own bodies, it would seem, the sense-experiences
of _force_ and _pressure_ and the like,[60] on which mechanics are
based; then we externalized them in tools and machines, and turned
them into abstract “laws”; finally, we proceeded to re-apply the
“laws” to the familiar objects from which we had first extracted
them, and the result was that we turned our previous notions of
these inside out. For the typical intellectual position towards
the end of the nineteenth century was exactly the reverse of the
typical Academic position. Plato had deduced the sense-world from
what we have called the inner world, and, while he had worked out
an elaborate and wise knowledge of this inner world, with its moral
impulses and aspirations, his philosophy had remained admittedly
bankrupt as far as detailed knowledge of the mechanism of the outer
world was concerned. Nineteenth-century science, on the other hand,
deduced the inner from the outer; it had mapped and charted the
mechanical part of Nature to a tenth of a millimetre,[61] but it
was well-nigh bankrupt as far as the inner world was concerned.
Huxley invented the word _agnostic_ (not-knowing) to express his own
attitude, and that of many millions since his day, to the nature and
origin of all this part of the cosmos. One of the few things about
which practically all “men of science”, as the phrase now went,
besides all those laymen who took the trouble to follow out the
various scientific discoveries and to listen to their metaphysical
reverberations, were agreed upon was that his senses and his reason
had succeeded in placing man in a material environment which appeared
to bear no relation whatever to his inner feelings and moral impulses.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account