History of a literary radical, and other essaysBourne, Randolph Silliman
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History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
Newman’s position was one of sublime common-sense. He saw that the
Protestant Church would be engaged for decades in the doleful task of
reconciling the broadening science with the old religious dogma. He
knew that this was ludicrous. He saw that liberalism was incompatible
with dogma. But mostly he saw that the new social and scientific turn
of men’s thinking was incompatible with the mellowed mystical and
personal life where lay his true genius. So, with a luminous sincerity,
following the appeal of his talents, he passed into the infallible
Church which should be a casket for the riches of his personal life.
He was saved thus from the sin of schism, and from the sin of adding
to that hopeless confusion of intellectual tongues which embroiled the
English world for the rest of the century. The Church guaranteed the
established order beneath him, blotted out the sociological worries
around him, and removed the incubus of dogma above him. Legitimacy
and infallibility did not imprison his person or his mind. On the
contrary, they freed him, because they abolished futilities from his
life. Nothing is clearer from the _Apologia_ than Newman’s sense of the
hideous vulgarity of theological discussion. He uses infallibility to
purge himself of that vulgarity. He uses it in exactly the way that it
should rightly be employed. The common view is that dogma is entrusted
to the Church because its truth is of such momentous import as to make
fatal the risk of error through private judgment. The Church is the
mother who suckles us with the precious milk of doctrine without which
we should die. Through ecclesiastical infallibility dogma becomes the
letter and spirit of religion, bony structure and life-blood.
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