History of a literary radical, and other essaysBourne, Randolph Silliman
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History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
No one was more innocent than I of the impending horror. In fact,
this menacing “armed camp” actually seemed to bristle in less sharply
defined lines when seen at close range. Public opinion seemed far
less violent than I had expected. In England there was the persistent
hostility to Compulsory Service, the gnawing compunction at the folly
of the Boer War, the complete subsidence of the panic over German
invasion. In France, there was the unyielding opposition to the new
three-years’ military law, culminating in the radical victory at
the April parliamentary elections, a clear national expression of
reluctance at the increased military expenditures; there was the superb
irony of the French press over the Zabern affair, where one would have
expected a raging chauvinism; there was the general public deprecation
of the activities of the royalists, and the constant discrediting of
their Alsace-Lorraine propaganda. In Italy I had seen the wild outburst
of reaction against the criminal Tripolitan war, and the great general
strike of June, a direct popular uprising against war and militarism.
Perhaps if I had spent the winter in Germany, I should have felt the
drift towards war, but even there all the opinion I heard was of some
gigantic slow-moving Slavic pressure, against which defence must be
made. And if public and press were full of blatant world-defiance, the
spirit certainly escaped my attention. My mind became quite reconciled
to the fact of “armed peace.” My imagination unconsciously began to
envisage armaments as mere frozen symbols of power, grim, menacing and
costly, yet little more than graphic expressions, in a language that
all the world could understand, of the relative strength and prestige
of the nations. In spite of the uniforms that sprinkled the sidewalks
and the wagon-trains that littered the streets, my imagination simply
refused to take them as dynamic. And there was little in press and
people to make me think that they themselves took them as dynamic. How
I should have acted if I had known of the imminence of the world-war
I do not know, but in the light of the event my rambles and interests
take on the aspect of the toddlings of an innocent child about the edge
of a volcano’s crater.
Public-domain text, read in full here on John Shaqi.
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