History of a literary radical, and other essaysBourne, Randolph Silliman
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History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
I could do little more than disentangle the political currents, get
familiar with certain names in the intellectual world, and plot
out the city, historically and sociologically, after a fashion. A
noted psychologist, Dr. Assagioli in Florence, had gone over the
philosophical situation for me; and in Rome, Professor Pettazoni of
the university told me of the political tendencies. A young Modernist
priest, discharged from his theological professorship for suspected
connection with the “Programma,” who talked about as much English as I
did Italian, proved very friendly and informing, and gave me a sense
of that vast subterranean, resistless, democratizing and liberalizing
movement in the Church. Various types, Italian cavalry officers,
professors of pedagogy, Sicilian lawyers, an emotional law student
from Lecce, who took me to the university and talked republicanism to
me, passed through the pension. And in Rome anyway you simply seeped
Italy in, from the newspapers, as vivid and varied as those in Paris,
and the host of little democratic and political weeklies, most of
them recent, but fervent and packed with ideas that indicated a great
ferment of young intellectual Italy. The young Florentine Papini gives
in his picturesque books the picture of the Italian soul struggling
with French, English and German ideas, and trying to hew some sort
of order out of the chaos. One got the impression that Nietzsche was
raging through the young Italian mind. But I was all for the candor and
sympathy and personality of this expression. Papers like “La Voce,”
published by Papini’s friends, have an idealistic sweep such as we
simply cannot imagine or, I suppose, appreciate in this country. I had
touched a different national mind. Expressions which seem wild to us
fell there into their proper and interpretative order.
Public-domain text, read in full here on John Shaqi.
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