History of a literary radical, and other essaysBourne, Randolph Silliman
General
History of a literary radical, and other essays
Bourne, Randolph Silliman
American essays -- 20th century
We cannot Americanize America worthily by sentimentalizing and
moralizing history. When the best schools are expressly renouncing
the questionable duty of teaching patriotism by means of history, it
is not the time to force shibboleth upon the immigrant. This form of
Americanization has been heard because it appealed to the vestiges of
our old sentimentalized and moralized patriotism. This has so far held
the field as the expression of the new American’s new devotion. The
inflections of other voices have been drowned. They must be heard. We
must see if the lesson of the war has not been for hundreds of these
later Americans a vivid realization of their trans-nationality, a new
consciousness of what America means to them as a citizenship in the
world. It is the vague historic idealisms which have provided the fuel
for the European flame. Our American ideal can make no progress until
we do away with this romantic gilding of the past.
All our idealisms must be those of future social goals in which all
can participate, the good life of personality lived in the environment
of the Beloved Community. No mere doubtful triumphs of the past,
which redound to the glory of only one of our trans-nationalities,
can satisfy us. It must be a future America, on which all can unite,
which pulls us irresistibly toward it, as we understand each other more
warmly.
To make real this striving amid dangers and apathies is work for a
younger intelligentsia of America. Here is an enterprise of integration
into which we can all pour ourselves, of a spiritual welding which
should make us, if the final menace ever came, not weaker, but
infinitely strong.
FRAGMENT OF A NOVEL
Gilbert was almost six years old when they all--Mother, Olga, and
baby--went to live with Garna in her tall white house. And his
expanding life leaped to meet the wide world, with its new excitements
and pleasures. It was like a rescue, like getting air when one is
smothering. Here was space and a new largeness in things. Gilbert was
freed forever from the back-street.
Garna’s house was ridiculous but it was not despicable. For your
meals you went down into a dark basement dining-room, behind a
blacker kitchen. And the outhouse, buried in Virginia creepers and
trumpet-vine, was down a long path bordered by grape-vines, where you
went fearfully at night. Gilbert was afraid of this dark, long after
he was old enough to be ashamed that his mother must come with him and
stand protectingly outside. In winter, the stars shone at him with icy
brilliancy, and the vines made a thick menacing mass around him.
Public-domain text, read in full here on John Shaqi.
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