Even more vigorous is his ballad of _The Skeleton in Armor_ (1840). The Viking hero of the tale, like young Lochinvar, won the heart of the heroine, the blue-eyed daughter of a Norwegian prince. "When of old Hildebrand I asked his daughter's hand, Mute did the minstrels stand To hear my story." The Viking's suit was denied. He put the maiden on his vessel before he was detected and pursued by her father. Those who think that the gentle Longfellow could not write poetry as energetic as Scott's _Lochinvar_ should read the following stanza:-- "As with his wings aslant, Sails the fierce cormorant, Seeking some rocky haunt, With his prey laden,-- So toward the open main, Beating to sea again, Through the wild hurricane, Bore I the maiden." Those who are fond of this kind of poetry should turn to Longfellow's _Tales of a Wayside Inn_ (1863), where they will find such favorites as _Paul Revere's Ride_ and _The Birds of Killingworth_. LONGER POEMS.--No other American poet has equaled Longfellow's longer narrative poems. Bryant and Poe would not attempt long poems. The flights of Whittier and Emerson were comparatively short. It is unusually difficult to write long poems that will be read. In the case of _Evangeline_ (1847), _Hiawatha_ (1855), and _The Courtship of Miles Standish_ (1858), Longfellow proved an exception to the rule. _Evangeline_ is based upon an incident that occurred during the French and Indian War. In 1755 a force of British and colonial troops sailed from Boston to Acadia (Nova Scotia) and deported the French inhabitants. Hawthorne heard the story, how the English put Evangeline and her lover on different ships and how she began her long, sad search for him. When Hawthorne and Longfellow were discussing this one day at dinner at the Craigie House, the poet said, "If you really do not want this incident for a tale, let me have it for a poem." Hawthorne consented to give his classmate all poetical rights to the story. _Evangeline_ is the tale of a love "that hopes and endures and is patient." The metrical form, dactylic hexameter, is one that few of our poets have successfully used, and many have thought it wholly unfitted to English verse. Longfellow has certainly disproved their theory, for his success with this meter is pronounced. The long, flowing lines seem to be exactly adapted to give the scenes the proper atmosphere and to narrate the heroine's weary search. The poem became immediately popular. It was the first successful long narrative poem to appear in the United States. Whittier had studied the same subject, but had delayed making verses on it until he found that it had been suggested to Longfellow. In a complimentary review of the poem, Whittier said, "Longfellow was just the one to write it. If I had attempted it, I should have spoiled the artistic effect of the poem by my indignation at the treatment of the exiles by the colonial government."