History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
It would require too much space to enumerate all the =subjects=
represented in the terracotta statuettes. But it may be found
convenient to give an outline of the subjects and principal types
adopted at different periods.[423] Roughly speaking, the range of
subjects may be divided into seven groups: (1) figures of deities; (2)
mythological subjects; (3) scenes from daily life; (4) imitations of
works of art; (5) caricatures; (6) masks; (7) animals. Among the
figures of the Olympian deities we find most commonly Demeter,
Aphrodite, and Artemis; Hephaistos, Ares, and Hestia are seldom if ever
represented; Zeus, Poseidon, Hera, and even Athena are also very rare.
Of the inferior deities, Dionysos, Persephone, Eros, and Nike (Victory)
are most frequently found, as well as Satyrs and similar personages.
Nor is it always easy to ascertain definitely whether a figure is or is
not intended to be mythological in significance.
This question is, in fact, closely bound up with that of the Uses for
which the statuettes were made, as on such a purpose their
interpretation in a mythological or human sense may largely depend. The
uncertainty of identification arises from the practice which obtained
of adhering closely to certain recognised _types_, which occur
repeatedly at all periods. There is a strong probability that a clear
distinction was not recognised by the Greek κοροπλάσται, but that the
same type of figure might be used either for a votive offering to a
deity, or as a mere ornament or article of tomb-furniture. And we are
further met with the fact that a type which was mythological at one
period ceases to be so at another, or at any rate is transformed by
some slight alteration of details or omission of an attribute. Thus the
seated figure of an Earth-goddess or Nursing-mother of a Rhodian or
Cypriote tomb becomes the nurse and child of the fourth century at
Tanagra, while the archaic standing type of a Persephone holding a
flower requires little but the omission of her special head-dress to
transform her into the girl-type of the Hellenistic age.
------------------------------------------------------
PLATE VIII
[Illustration:
ARCHAIC GREEK TERRACOTTAS (BRITISH MUSEUM).
1. MAN WITH RAM (RHODES); 2. PERSEPHONE (SICILY); 3. RHODES; 4. DOLL
(ATHENS).
]
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