History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
It is, perhaps, hardly necessary to speak of the constant use of the
jug and bowl (_phiale_) in sacrifices and libation scenes, as seen on
innumerable vases of the R.F. and later periods (see pp. 178, 191).
Fig. 18 shows the use of vases on the occasion of a sacrifice to
Dionysos. There is also a type of vase which, according to a recent
writer,[471] was used for burning incense. It is a form which hitherto
had been conventionally named the κώθων, on account of its recurved lip
(see below, p. 187); but it is pointed out that it had three feet (the
form being clearly derived from the tripod), and therefore stood, and
was not carried about; also that it varies much in size, and is found
at an early date, and chiefly in women’s graves.[472] There is also
evidence that it was meant to stand fire or hold coals. From these
details the conclusion is deduced that it represents the earlier form
of incense-burner (down to about 500 B.C.), those of later date being
of a different form, as often seen on R.F. vases.[473]
[Illustration:
From _Furtwaengler and Reichhold_.
FIG. 18. VASES USED IN SACRIFICE (FROM VASE AT NAPLES).
]
The most important use, however, for which vases were employed, and
that to which their preservation is mainly due, was for purposes
connected with funeral ceremonies. These were of a varied nature,
including the use of vases at the burial, the placing of them on the
tomb to hold offerings, and the depositing of them in the tomb, either
to hold the ashes of the dead or as “tomb-furniture,” in accordance
with the religious beliefs of the Greeks on the life after death. The
principal methods in which they have been found deposited in the tombs
have already been described in Chapter II.
Vases were employed in the burial rites in various ways, as we learn
from the subjects depicted upon them. In the celebrated vase
representing the death and funeral of Archemoros,[474] two persons are
seen carrying tables laden with vases to the tomb, while an oinochoë is
placed under the bier on which the corpse is laid. It is also probable
that they were often burnt on the funeral pile with the corpse, and if
this is the case it may account for the discoloured condition of many
fine vases in which the red glaze has turned to an ashen grey under the
action of fire.[475] In any case vases were often broken before being
placed in the tomb, the idea being that they must participate in the
death of the person to whom they were consecrated. There is a special
class of B.F. amphorae found at Athens, which are commonly known as
“prothesis-amphorae,” the subjects relating exclusively to the πρόθεσις
or laying-out, and other funeral rites. They were, therefore, probably
placed round the bier during this ceremony.
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