History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Among examples of later date may be mentioned the large series recently
found in Thera by German explorers, some plain, others with painted
geometrical decoration; they are partly of native make, partly
importations from Crete, and date from the seventh century B.C.[519]
Dr. Dörpfeld found examples of πίθοι in the remains of the earlier
cities at Hissarlik, from the second to the seventh layers. These were
used for keeping all sorts of liquids and solids, and also apparently
formed part of the cooking apparatus.[520] Others were found in the
excavations of Mr. J. Brunton on the site of Dardanus in the Troad;
they were of pale red clay, with a stone cover. In excavating between
Balaclava and Sevastopol Colonel Munroe discovered no less than
sixteen, about 4 ft. 4 in. in height, within a circular building,
apparently a storehouse; they were also of pale red ware. One had
incised upon its lip [ΔΔΠΠ ΠΙΙΙ], apparently indicating its price.
Similar πίθοι have been found in Athens, some having fractures joined
by leaden rivets. Large πίθοι with archaic reliefs have been found in
Crete, Rhodes, Sicily, and Etruria (at Cervetri); they are imitated
from metal vases, with designs of Oriental character.[521]
Perhaps of all the ancient vases the best known is the =Amphora=
(ἀμφορεύς or ἀμφιφορεύς), which was used for a variety of domestic and
commercial purposes. So numerous are the vases of this form, found all
over the Greek world, that they merit a lengthy description. They were
principally used for wine, but also for corn, honey, oil, and other
substances,[522] and to the use of the word as a measure of capacity we
have already alluded. It should be borne in mind that the conventional
use of the word _amphora_ in speaking of the painted Greek vases
implies a quite different form from the plain wine-amphorae, which were
neither painted nor varnished; the type of vase is the same, but the
painted examples are smaller and stouter, with a proper foot. For the
present we confine our description to the unadorned amphora of commerce.
Besides the two handles from which the word derives its name,[523] the
wine-amphora (Fig. 22.) is distinguished by its long egg-shaped body,
narrow cylindrical neck, and pointed base; this form is often known as
_diota_ (the Latin equivalent). The base is sometimes supplied with a
ring to stand on, but is more usually pointed, in order to be easily
fixed in the earth in cellars. The mouth was sealed by means of a
conical cover terminating in a boss.
[Illustration: FIG. 22. GREEK WINE-JARS (BRITISH MUSEUM).]
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