History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
A name which constantly occurs in two forms is the κοτύλη or κότυλος.
The distinction appears to be that the former had no handles, but the
latter one,[640] but otherwise the form was probably much the same,
being that of a deep cup; it is also probable that it was sometimes
used like the κύαθος, as a ladle for drawing out wine, as well as for
drinking. The word κοτύλη is found as early as Homer,[641] used
metaphorically for the hollow where the thigh-bone joins the hip; in
its proper meaning as a cup, it occurs in the familiar proverb[642]
which has been adopted into our language:
πολλὰ μεταξὺ πέλει κοτύλης καὶ χείλεος ἀκροῦ
“There’s many a slip ’twixt the cup and the lip.”
As a measure it was equivalent to six kyathi, or roughly half a pint,
as already shown (p. 135). The ἡμικοτύλιον there discussed is, however,
a one-handled cup, and therefore to be called a κότυλος rather than a
κοτύλη. The latter is a word constantly found in Greek literature from
Homer downwards, as in the passage where Andromache describes the
impending fate of her orphan child, to whom a pitying patron will hold
out a cup, merely to taste, not to drain.[643]
From Athenaeus we learn that the κότυλος was like a deep
washing-basin (λουτήριον), and that it was associated with Dionysos.
Eratosthenes[644] calls it the most beautiful and the best for
drinking of all cups. The diminutive form κοτύλισκος occurs in
connection with the κέρνος], discussed below (p. 195), which had many
of these little cups attached to it. It has been customary to apply
the name κοτύλη to a class of vase found at all periods, with flat
base, slightly curved sides, and two flat handles level with the rim
(Fig. 49); it sometimes attains a considerable size for a
drinking-cup, and is usually decorated with one or two figures each
side. A notable exception is the beautiful vase in the British Museum
(Plate LI.), signed by Hieron, with its frieze of figures all round.
This identification is of course at variance with Athenaeus'
statement that the kotyle has no handle; but no other satisfactory
name has been found for the form.
[Illustration: FIG. 49. KOTYLE.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account