History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Vessels for holding vinegar or sauces were known by the names of
ὀξύβαφον, ὀξίς, or ἐμβάφιον.[710] The shapes are not exactly known, but
they were apparently small cups or dishes; the incorrect identification
of the first-named with the κρατήρ we have already discussed (p. 171).
The words ἐρεύς and κυψελίς are given by Pollux[711] as vases for
holding sweets, and the κυμινοδόκον or κυμινοθήκη was, as the name
implies, a box or receptacle for spices.[712] The last-named has been
identified with the κέρνος, described by Athenaeus as “a round vessel,
having attached several little kotylae (κοτυλίσκους).”[713] Two
existing forms correspond in some degree to this description: one found
in Cyprus and at Corinth, and consisting of a hollow ring, to which
small cups or jars are attached at intervals; the other found chiefly
in Melos, and consisting of a central stand, round which are grouped a
varying number of alabastron-like vases, evidently designed for holding
small quantities of unguents or perfumes, or perhaps flowers, eggs, or
other objects. They are all of very early date, and decorated in
primitive fashion.[714] A better form of the word seems to be κέρχνος.
Many have been found at Eleusis,[715] and it is supposed that they were
used in the Mysteries for carrying the first-fruits.[716]
[Illustration: FIG. 56. LEKYTHOS.]
Several kinds of vases were used for holding oil, the characteristic of
all these shapes being the narrow neck and small mouth, which were
better adapted for pouring the liquid drop by drop. The ordinary Greek
word for an oil-flask is λύκυθος, frequently found in Aristophanes and
elsewhere. We have already referred (pp. 132, 143) to the passages in
the _Ecclesiazusae_ where the practice of placing lekythi on tombs, and
generally of using them for funeral purposes, finds allusion. From
these passages it has been possible to identify the class of
white-ground Athenian vases on which funeral subjects are painted, with
absolute certainty as =Lekythi=. But the shape is not confined to this
one class. In the early B.F. period (especially in Corinthian wares) it
assumes a less elegant form, with cup-shaped mouth, short thick neck,
and quasi-cylindrical body tapering slightly upwards (cf. the
alabastron below). The later form, which prevails from the middle of
the B.F. period down to the end of the fourth century at Athens, with
very little variation of form, is one of the most beautiful types of
Greek vases (Fig. 56). It has a long neck, to which the handle is
attached, flat or almost concave shoulder, and cylindrical body,
semi-oval at the base. The B.F. examples are seldom found in Italy, and
almost all come from Athens and other Hellenic sites, or from Sicily, a
country in which the form seems to have been exceptionally popular. The
same may be said of the ordinary R.F. examples, which have no
sepulchral reference, and are found in large numbers at Gela
(Terranuova) in Sicily, but seldom elsewhere. The white lekythi have
Public-domain text, read in full here on John Shaqi.
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