History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Unpainted pottery is almost as common as painted in the
Graeco-Phoenician period, and calls for a few words of separate
treatment. For the most part it comes under the heading of Domestic
Ware, or earthenware vessels similar to those in ordinary use at the
present day. They are made of plain, unrefined, usually reddish, clay,
without any slip or polish, and include various forms of jugs, bowls,
and plates, as well as the large wine-amphorae with pointed bases
universally found at all periods. Many lamps and small “cup-and-saucer”
double bowls occur in this category. In the earlier tombs of the
Transitional period, pottery of a black-slip ware, with reeded body, is
frequently found, chiefly in the form of jugs and kraters. Plain black
wares, like the Italian _bucchero_, are also rarely found; as are
vessels covered with a fine red slip and polished.
* * * * *
In most of the painted pottery of the Graeco-Phoenician period,
especially in its earlier phases, the technical methods are those which
we have already described in speaking not only of the “sub-Mycenaean”
or Transitional fabrics, but also of the painted white ware of the
Bronze-Age tombs. That is to say, that the decoration is in dull colour
on a lustreless and (usually) unpolished white or drab ground. The
colour, however, is usually not red, as in the earlier stages, but
black, red being used chiefly as an accessory or for picked-out
details. The latter varies from a pale brick-red to deep purple. The
system of decoration is often extremely elaborate, although the range
of subjects is limited. Apart from geometrical or conventional
patterns, such as the stylised palmette, lotos-flower, stars, or trees,
we only find water-fowl, fish, a few quadrupeds such as bulls or
deer,[856] and finally human figures. But the last are exceedingly
rare, and confined to the white wares, the best example being perhaps
the very Oriental design of two warriors driving in a chariot,[857] or
the worshippers rendering homage to seated deities on the fine vase
from Ormidhia (Fig. 76).[858]
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PLATE XIII
[Illustration: CYPRIOTE POTTERY: GRAECO-PHOENICIAN PERIOD (BRITISH
MUSEUM).]
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