History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
(2) The pottery in this stage is still hand-made; but the clay, which
is of a brick or terracotta colour, is greatly improved, and shows that
a potter’s oven must have been employed. The most remarkable feature is
that, along with the white or polychrome patterns on dark ground, the
origin of which has been noted, there appear vases with patterns in
lustrous dark colour on buff ground, like the Mycenaean wares. Hitherto
it had been supposed that the latter process was much later than the
other[895]; but the Cretan evidence admits of no doubt as to their
synchronism, even at this early stage of painted pottery in any form.
The pre-Mycenaean character of the Early Minoan deposits is, for
instance, proved by the entire absence of plain pottery of Mycenaean
types. It is then clear that Crete developed both independently of, and
with far greater rapidity than, the rest of the Aegean at this period.
The painted patterns are usually of a Geometrical character.[896]
The middle deposits of the third millennium, found above the floors of
the first palace, are, like the preceding, both polychrome and
monochrome in their decoration. The former include most of the types
formerly known as Kamaraes ware, the patterns being mainly but not
exclusively Geometrical; the curvilinear are rather later in date. The
commonest shape is one resembling a tea-cup.[897] In the next stage
relief-work is introduced to enhance the polychrome effect, probably in
imitation of metal. In the latest deposits a great decline is manifest,
and the monochrome vases tend to assert themselves to the exclusion of
the others.
That the period under discussion must have been one of great length is
shown by the depth of the “Minoan” deposits; they are, moreover, so
extensive at Knossos, and so scanty and isolated are examples from
other sites, that it cannot be doubted that here we have the centre of
the fabric. As regards their date we have good evidence from early
Aegean deposits in Egypt. By means of Professor Petrie’s finds at Kahun
in the Fayûm, which include specimens of the best Minoan ware,[898] we
are able to place the height of the period about 2500 B.C.
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PLATE XIV
[Illustration:
From _Brit. School Annual_, ix.
STAND FOR VASE; KAMARAES WARE.
FROM PALAIOKASTRO, CRETE.
]
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