History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
=Crete= in all probability will, before many years are over, supply a
great mass of material for the history of early Greek pottery. Until
recent years it has received little attention from travellers or
explorers, and few vases of any period have come therefrom into our
Museums.[167] But Crete has always been looked to by archaeologists for
the solution of the Mycenaean problem, and the systematic excavations
now at length set on foot are even richer in their yield of Mycenaean
and primitive pottery than those of Rhodes, Melos, and Cyprus. Mr. J.
L. Myres found at _Kamarais_ in 1894 a series of fragments of painted
pottery with designs in opaque colours on a black ground, which he
regarded as pre-Mycenaean.[168] This theory was subsequently borne out
by the discoveries of Messrs. Arthur Evans and D. G. Hogarth at
_Knossos_ and elsewhere, which have been very rich in pottery of a
similar kind, and also in vases with remarkably naturalistic patterns
in relief.[169] Other finds have been made in the Dictaean Cave,[170]
at Zakro[171] and Palaeokastro,[172] at Phaestos,[173] Praesos, Erganos
and Kourtes, and Kavousi.[174]
Before we turn our attention to the continent of Asia we must hark back
to the European mainland, working round by the northern coasts of the
Aegaean and Euxine Seas. Macedonia and Thrace have yielded scarcely
anything,[175] but when we come to the northern shore of the Black Sea
we find at _Kertch_, in the Crimea (the ancient Panticapaeum), a
remarkable centre of Greek artistic production. The finds here are
practically limited to one period, covering little more than a hundred
years, and mainly illustrate the art of the fourth century B.C. There
are, however, many magnificent vases, which in style, if not in shape
or composition of subjects, must belong to an earlier time—namely, that
of the fine red-figured period.[176] The excavations have mostly been
undertaken by the Russian Government, in whose museum at the Hermitage
the collections are now to be seen, but much was done unsystematically
by Englishmen and others at the time of the Crimean War. It cannot be
said that more than about one-quarter of the total find of 400 vases
have any merit; they are chiefly small, with red figures, and of the
later fine period; some are polychrome and ornamented with
gilding.[177] The most remarkable by far is the vase signed by the
Athenian Xenophantos (p. 447); but that with the contest of Athena and
Poseidon (Plate L.) is also an exceptionally fine specimen; and others
have interesting subjects relating to the Eleusinian mysteries. At
_Phanagoria_ an early B.F. vase of Ionic style came to light.[178]
Vases have also been found at Olbia on the neighbouring mainland, at
Kief, at Temir Gora in Circassia, and on the modern sites of Blisnitza,
Iouz Oba, Melek Chesme and Pavlovski-Kourgane in the Crimea.[179]
II. ASIA MINOR
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account