History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
In the immediate neighbourhood is _Sarteano_, also remarkable for the
specimens of early black ware which it has yielded, but almost entirely
deficient in painted vases. At _Roselle_ (Rusellae) and _Orbetello_ in
the Maremma the finds of pottery have been of a comparatively
insignificant character, the vases of Orbetello being nearly all late
Etruscan fabrics, of rude forms, with coarse ill-drawn subjects. The
same remark applies to _Toscanella_, near Vulci, where Greek vases are
seldom found.
_Bolsena_ (Volsinii) is specially distinguished by a curious class of
late vases of coarse red ware with designs in relief, which show
evident signs of having been coated with a solution producing the
effect of silver.[224] They seem to be peculiar to this locality,
though Athenaeus[225] tells us that a similar practice was in vogue at
Naukratis. No other kinds of pottery have been found.
At _Orvieto_ excavations were first made in 1830, but without very
great results; the site was then neglected until the ’seventies, during
which years Signor Mancini’s excavations were so successful that a
local Museum has been established, which now contains many good
specimens of Greek vases, as well as Etruscan black wares.[226] At
_Viterbo_ various Greek vases, mostly black-figured, were found in the
early ’twenties, and later on a kylix by the master Euphronios came to
light.[227] _Bomarzo_ has yielded some good Greek vases, including
signed examples by Euphronios and Hieron.[228]
_Corneto_ is more famous for the splendid wall-paintings of its tombs
and for its coloured sarcophagi than for painted vases, but has
nevertheless yielded some vases of considerable interest, notably a
fine R.F. kylix with representation of the Olympian deities, signed by
Oltos and Euxitheos, the beautiful kylix representing the desertion of
Ariadne by Theseus,[229] and some specimens of Corinthian wares. Under
its ancient name of Tarquinii it was of course famous as the spot to
which Demaratos and his artist-companions were said to have fled from
Corinth. Excavations were first begun in 1825–27. Besides the
collection now in the public Museum,[230] there is a large one made by
Count Bruschi from excavations on his own lands, the majority of the
vases being of the B.F. period.[231] Not far distant are _Civita
Vecchia_, represented only by some remarkable early vases in the
British Museum,[232] Italian imitations of the Greek Dipylon ware, and
La Tolfa, where Etruscan, Corinthian, and Ionic B.F. vases have been
found.[233]
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