History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 1 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
For specimens of typical Athenian tombs see Stackelberg, _Gräber der
Hellenen_, pl. 7. Fig. 1. gives a reproduction of a cist full of
vases from _ibid._ pl. 8. For an admirable description of the tombs
of the Dipylon, see _Ath. Mitth._ 1893, p. 74 ff.
Footnote 52:
_Compte-Rendu_, Atlas, 1859, pls. 5–6; Macpherson, _Antiqs. of
Kertch_, _passim_.
Footnote 53:
_Arch. Zeit._ 1850, p. 209, pl. 19.
Footnote 54:
_Journ. Hell. Stud._ vi. p. 237.
Footnote 55:
See for illustrations of tombs at Agia Paraskevi, near Nicosia, _Ath.
Mitth._ 1886, xi. p. 209 ff., and Suppl. pl. 2, from which Fig. 2. is
taken.
Footnote 56:
For specimens of Cypriote tombs of all periods the reader is referred
to Cesnola’s _Cyprus; Brit. Mus. Excavations in Cyprus_, 1893–96;
_Journ. Hell. Stud._ ix. p. 264 (Paphos) and xi. p.19 ff. (Poli).
Footnote 57:
_Trans. Roy. Soc. Lit._ 2nd Ser. ix. (1870), p. 162.
Footnote 58:
Gardner, _Cat. of Vases in Ashmol. Mus._ p. vii.
Footnote 59:
Cavallari in _Bull. della Comm. di Antich. in Sicil._ 1872, v. p. 10,
pl. 3.
Footnote 60:
Vol. ii. p. 57, vignette. Models of this tomb exist in cork, and
specimens may be seen in the Winchester College Museum and Eton
School Library.
Footnote 61:
_Scavi di Certosa_, 1875, text and plates.
Footnote 62:
For tombs at Ruvo see Jatta, _Cat. del Museo_, p. 53 ff.
Footnote 63:
Reference may also be made to Martha, _L'Art Étrusque_, p. 183 ff.
Footnote 64:
For an example in the B.M. see E 811 in the Fourth Vase Room, Cases
6–7. A plain jar of late date, from Halikarnassos, full of calcined
bones, is in the Terracotta Room of the B.M., Case 20.
Footnote 65:
See also Rathgen, _Konservirung von Altertumsfunden_, p. 67.
Footnote 66:
Westropp, _Epochs of Painted Vases_, p. 17.
Footnote 67:
Inghirami, _Vasi Fittili_, i. pl. 13; a false vase is also published
in Passeri, 300, and others in D'Hancarville, ii. 71, 84. The worst
specimen is perhaps that engraved by Millin, _Peintures_, ii, pls.
54–5 (reproduced in Reinach’s edition), which yet for a long time
found general acceptance. As a curiosity and a warning it deserves
perpetuation.
Footnote 68:
Eng. transl. p. 180 ff.
Footnote 69:
Curiously enough there was in M. Tyszkiewicz’s own collection a
white-ground cup with the subject of Phrixos (_Sale Cat._ pl. 35),
which is certainly open to suspicion·
Footnote 70:
_Gaz. Arch._ 1875, pl. 14.
Footnote 71:
Reinach, ii. 62 (in Louvre).
Footnote 72:
B.M. E 458.
Footnote 73:
Munich 404.
Footnote 74:
B.M. E 468.
Footnote 75:
B.M. F 331.
Footnote 76:
B.M. B 130.
Footnote 77:
See Reinach, _Répertoire_, ii. p. 277.
Footnote 78:
Millin-Reinach, i. pl. 49; now at Deepdene (?).
Footnote 79:
Public-domain text, read in full here on John Shaqi.
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