History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
The war having now broken out, we are introduced to the two chief
heroes on the Greek side, Achilles and Ajax, as they bid farewell to
their family and friends and set out in full equipment. Achilles,
accompanied by Patroklos, Menoitios, and other heroes, bids farewell to
his parents Peleus and Thetis[1365]; he also pays a farewell visit to
his grandfather Nereus, who presents him with a crown,[1366] and
receives a valedictory libation from a Nereid.[1367] Again, we see
Achilles and Patroklos taking leave of Nestor, accompanied by
Antilochos.[1368] Ajax is represented taking leave of Lykos,[1369] and
also of his father Telamon[1370]; but as in one of the latter cases the
names are wrongly applied on the vase, it may only represent an
idealised departure of an ordinary warrior. There is also a vase which
represents Nestor arming (putting on a greave) in presence of
Euaichme.[1371]
We next find the warriors gathered in Aulis, waiting for the favouring
breeze, and whiling away the time (as Euripides describes[1372]) in the
game of πεσσοί or draughts, which is played by Ajax and Achilles (names
usually given) seated at a raised board in full armour, with the statue
of Athena behind them.[1373] There is another variety of the type, in
which the presence of Athena seems to have more meaning. Here the two
heroes cast lots with dice before the statue, and there may be some
reference to the dispute of Ajax and Odysseus for the arms of Achilles,
which was settled by Athena.[1374] The story of the sacrifice of
Iphigeneia, though popular with poets and painters, for some reason
never found its way on to the vases until the influence of great
pictures and plays was beginning to make itself felt; and then only
appears in one instance, where the transformation into a deer is
indicated.[1375] The only other incident of the voyage which concerns
us is the halt at Lemnos and the sacrifice to the local goddess Chryse,
where Philoktetes is bitten by the serpent and has to be left behind on
account of his wound.[1376] This island was also the scene of the
carrying off by Achilles of Chryseis, the daughter of Chryses, the
priest of the local goddess, of which there is one possible
representation.[1377]
Public-domain text, read in full here on John Shaqi.
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