History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
The story of =Orpheus= often finds a place on vases of the R.F.
period,[1441] but is chiefly confined to two episodes, his playing the
lyre among a group of Thracians[1442] (the men recognisable by their
costume, see p. 179), and his pursuit by the Thracian women[1443] and
subsequent death at their hands.[1444] In one scene his head after his
death is made use of as an oracle.[1445] He is often present in
under-world scenes (see p. 68), but not always in connection with the
fetching back of Eurydike.[1446]
_Thamyris_, a quasi-legendary figure, appears contending with the Muses
for pre-eminence with the lyre[1447]; on one fine R.F. vase he is
accompanied by Sappho,[1448] who, though strictly an historical
personage, appears among the Muses in quasi-mythical guise; he also
plays the lyre among Amazons.[1449] Other semi-historical persons
enveloped in a cloud of fable are: _Taras_, the founder of
Tarentum[1450]; _Midas_, who is generally represented with asses’ ears,
and is depicted judging the Seilenos who was caught in his rose-garden
and is led before him with hands tied[1451]; and _Minos_, who appears
at the slaying of the Minotaur by Theseus,[1452] and in the under-world
as one of the judges of souls.[1453]
* * * * *
Nor must we omit to mention the =Amazons=, who play such a large part
on Greek vases; besides their connection with various legendary events,
they are often employed purely as decorative figures. Mention has
already been made of their combats with Herakles and Theseus, and of
the part played by their queen Penthesileia in the Trojan War[1454];
and we also find them in such scenes as the Judgment of Paris[1455] and
Herakles’ fight with Kyknos.[1456] They also contend with
Gryphons[1457]; and many battle scenes in which they are opposed to
Greek warriors may also be here alluded to as not admitting of more
definite identification.[1458] They are further represented arming and
preparing for the fray,[1459] or setting out on horseback,[1460] or
defending a besieged city[1461]; and as decorative figures we see them
charging,[1462] stringing bows[1463] and discharging arrows,[1464]
blowing a trumpet,[1465] running by the side of a horse or checking a
restive animal,[1466] or fastening a shoe[1467]; or in peaceful
converse with a Greek warrior,[1468] or else without any distinguishing
action.[1469] Nearly all these subjects belong to the R.F. and later
periods.
* * * * *
We may conclude this section with an account of the monstrous
semi-human, semi-bestial creatures, which play a large part in the
decoration of Greek vases, and appear in connection with many legends.
Such are the Centaurs, half man, half horse; the Gorgons, winged women
with snaky locks; the Harpies, also found on early vases in the form of
winged women; and mythical creatures like Pegasos, the Chimaera, or the
Minotaur.
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