History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
In the scenes of warriors arming we may note certain motives as
recurring with more or less frequency—such as that of a warrior putting
on his greaves,[1810] helmet,[1811] or cuirass (Fig. 137),[1812] or
lacing up his helmet.[1813] Kindred subjects are that of a warrior
taking his shield out of his case,[1814] or an archer drawing an arrow
from his quiver,[1815] testing an arrow,[1816] or stringing his
bow.[1817] We may also note the rarer occurrence of such scenes as the
harnessing of a chariot (Frontispiece)[1818] or the equipping of a
war-horse.[1819] In the departure scenes the usual type on B.F. vases
is that of a four-horse chariot to the right, which the warrior is
mounting or has mounted; a woman sometimes give him drink, and an old
man stands at the horses’ heads. This “type” is used for the departure
of Amphiaraos (cf. Berlin 1655), Hector, or other heroes.[1820] It is
sometimes varied by placing the quadriga to the front.[1821] Or, again,
the warrior is seen on horseback, accompanied by his groom,[1822] or a
company on foot set out in marching array.[1823] On later vases the
more usual version is that of a warrior receiving a libation or
“stirrup-cup” from a woman before his departure, but the same scenes
might be interpreted as referring to his successful return.[1824]
Unmistakable instances of the return are those scenes where he receives
a crown,[1825] or is brought back as a corpse by his comrades.[1826]
There are scenes representing warriors taking oaths or omens at a tomb,
or omens by the inspection of the liver of a victim, all before
departure for battle[1827]; and single figures are countless,
especially inside R.F. kylikes.[1828]
[Illustration:
From _Hoppin_.
FIG. 137. WARRIOR ARMING; SCYTHIAN ARCHERS (AMPHORA BY EUTHYMIDES
IN MUNICH).
]
Among the various scenes incident to warfare may be mentioned an
ambuscade,[1829] a wounded warrior dragged out of battle,[1830] a
warrior protecting himself from darts,[1831] the capture of a
prisoner,[1832] warriors carrying dead bodies,[1833] or human heads as
trophies of victory.[1834] Besides single figures of warriors,
heralds,[1835] trumpeters,[1836] slingers,[1837] and archers[1838]
often appear; or representations of the armour of a warrior[1839]; or
of the Δοκιμασία or parade of Athenian knights.[1840] Of a somewhat
burlesque character is a scene depicting warriors riding on ostriches
and dolphins.[1841]
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