History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
The draperies, especially the chitons, are often richly embroidered
with patterns, represented by incising and purple and white colours on
the B.F. vases, by black paint on the R.F. On the former the women’s
chiton is often covered with a sort of diaper pattern of squares,
filled in with circles and stars, or the dresses (both of men and
women) are covered with groups of dots and flowers in white and purple.
In the late fine R.F. period and on the vases of Lucania and Apulia the
patterns become exceedingly rich and varied[1995]: chequers,
wave-pattern, palmettes, stars, egg-pattern, maeander, and all kinds of
borders are introduced. A further extension of the principle is seen in
the introduction of borders of figures, the most notable instances of
which are on the François vase and the Hieron kotyle.[1996] On the
former the technique is remarkable as a kind of anticipation of red
figures on black. Aristotle speaks of a garment made for Alkimenes of
Sybaris on which deities were represented between borders decorated
with Oriental figures, the subjects being the sacred animals of the
Medes and Persians.[1997] We may also cite the remarkable statue of
Demeter found at Lykosura in Arcadia, the drapery of which is decorated
with inlaid borders of figures,[1998] and the mantle of Jason described
by Apollonius Rhodius.[1999]
The hair of women on B.F. vases, and frequently also that of men,
usually falls loose or in tight curls on the shoulders, with a fringe
over the forehead. On the early R.F. vases men often wear their hair
looped up behind in the fashion known as the κρώβυλος,[2000] which, as
we know from Thucydides, went out about 480 B.C. Women, on the other
hand, have theirs knotted up and confined under a cap. On later R.F.
vases and on those of Apulia their hair is usually gathered up in the
_opisthosphendone_, or in a broad coif or fillets, and arranged in
bunches of curls in front and behind. On late R.F. vases a radiated
diadem, painted white, is often seen. Men are seldom represented with
long hair after 480 B.C., but they usually wear a wreath or plain
fillet. Head-coverings are rarely worn by ordinary persons, with the
exception of the traveller’s and huntsman’s _petasos_; but Oriental
personages usually wear a high cap of some kind (see above, under
Barbarians). Jewellery—such as necklaces, earrings, armlets, or
anklets—is comparatively rare on B.F. vases, but becomes more and more
common, until it reaches profusion on those of Apulia. Bracelets and
anklets are often in the form of serpents. Various forms of sandals or
shoes are seen on later vases, but on the black-figured the only kind
of footgear is the high boot or _endromis_, with a curved tag in front.
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