This is also found on a B.F. vase in the British Museum (B 330): see Hartwig, _Meistersch._ p. 220; also B.M. E 84; Thiersch, _Hell. Vasen_, pl. 5; _Arch. Zeit._ 1873, pl. 9. Footnote 2022: The Pamphaios hydria in the British Museum (B 300) has bits of _red-on-black_ maeander down the sides of the design on the shoulder. Footnote 2023: See examples from Cyprus and Rhodes in Cases 24, 25, 28, Second Vase Room, B.M. Footnote 2024: _E.g._ B.M. B 205, 474, 476, 620, D 15, E 151, F 178. Footnote 2025: It appears, however, to be of Mycenaean origin: cf. the B.M. vases A 253, 323, 324, and _Excavations in Cyprus_, p. 6, fig. 6, from Ialysos and Cyprus, decorated in this fashion with vertical concentric circles. Footnote 2026: Riegl, p. 155. Footnote 2027: _E.g._ B.M. B 209, B 210. Footnote 2028: _E.g._ B.M. E 564. Footnote 2029: For its use on a B.F. kylix see B.M. B 382 (probably Ionic work). Footnote 2030: Munich 810, 849 = Brunn-Lau, _Gr. Vasen_, pls. 35–6: cf. B.M. F 278. Footnote 2031: Examples may be seen in Plates XXIII., XXVIII.-XXXIII. Footnote 2032: B.M. B 148–49, 151, 153; _J.H.S._ xix. p. 163. Footnote 2033: _E.g._ B.M. B 212, B 593, B 677, B 679: see also _Jahrbuch_, 1899, p. 161. Footnote 2034: See _Bull. de Corr. Hell._ 1898, p. 298. Footnote 2035: _E.g._ B.M. B 63 (Plate LVIII.). Footnote 2036: _E.g._ B.M. B 364. Footnote 2037: As on the Python krater, B.M. F 149. Footnote 2038: See _Jahrbuch_, 1895, p. 44, note 15. Footnote 2039: _Stilfragen_, _passim_, especially p. 48 ff. and p. 178. Footnote 2040: See Riegl, p. 115 ff., and Houssay in _Rev. Arch._ xxx. (1897), p. 91 ff. Footnote 2041: For the Egyptian types of lotos-flower and bud see Riegl, p. 48 ff. Footnote 2042: Riegl, p. 155: see also an early Boeotian example in the B.M. (A 564 = Riegl, p. 173). Footnote 2043: Thiersch, _Tyrrhen. Amphoren_, p. 70, points out that the form of lotos-flower with two large points is Peloponnesian (Corinthian, etc.) and Ionic; the form found in Attic, Boeotian, and Proto-Corinthian fabrics has three principal points. Footnote 2044: See generally Riegl, p. 155 ff. Footnote 2045: _E.g_. B.M. E 169. Footnote 2046: The varieties of this pattern should be carefully distinguished. Corinthian vases have a composition of lotos-flowers only; Chalcidian, palmettes only (cf. Vienna 219; B.M. B 34). In the “Tyrrhenian” amphorae, and subsequently in Attic red-bodied amphorae, the two principles are seen to be united, and palmettes alternate with lotos-flowers. See also Fig. 161. Footnote 2047: