History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Some of the shorter inscriptions also throw light on the prices at
which different vases were sold. For instance, 15[123]ΛΗΚV : ΛΔ : ΛΗ
would denote thirty-four lekythi for thirty-seven obols, or roughly
1½_d._ apiece; 15[121]ΛΗΚV : ΙΓ : ΙΑ thirteen lekythi for eleven obols,
at a slightly lower price.[2078] Aristophanes[2079] tells us that one
obol would purchase quite a fine lekythos, just as elsewhere[2080] he
mentions three drachmae as the cost of a κάδος or cask. This latter
statement is borne out by the inscription on a vase, [[Π]·ΚΑΔΙΑ·ΔΙΙ],
or five κάδια value twelve drachmae, _i.e._ at about 2½ _dr._
apiece.[2081] An inscription quoted below shows that the owner of a cup
valued it at one drachma. Other examples of the same kind are collected
by Schöne. The cup from Cerigo in the British Museum, on which is
incised [[Ͱ]ΕΜΙΚΟΤVΛΙΟΝ] (ἡμικοτύλιον)[2082] does not strictly come
into this category, but may be mentioned as having an inscription of
the same class.
(3) Inscriptions incised by the owner, and subsequently to the
completion of the vase. These usually take the form of the word [ΕΙΜΙ]
([ΕΜΙ]), with the owner’s name in the genitive, as [ΑΣΤΥΟΞΙΔΑ ΗΜΙ] (“I
am Idamenes’”), or [ΑΣΤΥΟΞΙΔΑ ΗΜΙ] (“I am Astyochidas’”), on two B.F.
cups from Rhodes.[2083] Sometimes this appears in an extended and
metrical form, as on another B.F. kylix from the same site:
[ΦΙΛΤΟΣΗΜΙΤΑΣΚΑΛΑΣΑΚΥΛΙΞΣΑΠΟΙΚΙΛΑ]
Φιλτῶς ἠμὶ τᾶς καλᾶς ἁ κύλιξ ἁ ποικίλα
“I am the painted cup of the fair Philto.”[2084]
Another metrical inscription runs:
Κηφισοφῶντος ἡ κύλιξ· ἐὰν δέ τις κατάξη δραχμὴν ἀποτείσει· δῶρον ὄν
παρὰ Ξενο....
“I am the cup of Kephisophon; if any one breaks me, let him pay
a drachma; the gift of Xeno(krates).”[2085]
A yet more remarkable example is on an early lekythos from Cumae in the
British Museum,[2086] which, in the manner favoured by modern
schoolboys, invokes an imprecation on the head of a thief:
[Illustration: FIG. 171.]
Ταταίης ἐμὶ λήϙυθος ὃς δ’ ἄν με κλέφσῃ θυφλὸς ἔσται
“I am Tataie’s oil-flask, and he shall be struck blind who steals me.”
Others, again, record the gift of the vase, as: “Epainetos gave me to
Charopos”[2087]; [ΤΕΝΔΙ[Σ]ΟΙ ΘΟΔΕΜΟ[Σ] ΔΙΔΟ[Σ]Ι[:]] “Lo, this Thoudemos
gives to thee.”[2088] A boat-shaped vase (_kymbion_) in the British
Museum has incised on it the exhortation [[Π]ΡΟ]Π]ΙΝΕ ΜΗ ΚΑΤΘΗΣ],
“Drink, do not lay me down.”[2089] The owner’s name is found in the
nominative on a vase from Carthage at Naples: [ΧΑΡΜΙΝΟΣ] [ΘΕΟΦΑΜΙΔΑ]
[ΚΩΙΟΣ], “Charminos, son of Theophamidas, a Coan”[2090]; similarly in
the genitive with the omission of εἰμί: [ΑΡΙϹΤΑΡΧΟ] [ΑΡΙΣΤΩΝΟϹ],
Ἀριστάρχου Ἀρίστωνος; [ΑΛΕΞΙΔΑΜΩ] Ἀλεξιδάμου.[2091]
Public-domain text, read in full here on John Shaqi.
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