History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
An interesting bit of dialogue appears on a B.F. vase,[2189] which
represents boys and men watching a swallow, evidently the first of the
returning spring; one boy says, ἰδοὺ χελιδών, “See, the swallow”; to
which a man replies, νὴ τὸν Ἡρακλέα, “Yes, by Herakles!” Another boy
joins in with αὑτηί, “There she is,” and ἔαρ ἤδη, “It is already
spring.” Another good instance is on a B.F. vase in the Vatican.[2190]
On one side we see the proprietor of an olive garden extracting oil
from the olives, with the prayer, [ΟΖΕΥΠΑΤΕΡΑΙΘΕΠΛΟΥΣΙΟΣΓΕΝ] ὦ Ζεῦ
πάτερ, αἴθε πλούσιος γέν[οιμ’ ἄν, “O Father Zeus, may I be rich!” while
on the other he sits over a full vessel, and cries to the purchaser,
[ΕΔΕΜΕΝΕΔΕ ΠΛΕΟΙ ΠΑΡΒΕΒΑΚΕΝ], ἤδη μέν, ἤδη πλέο(ν) παρβέβακεν,
“Already, already it has gone far beyond my needs.”[2191]
To conclude with a few miscellaneous and unique inscriptions, we have
firstly, on a vase in the British Museum (E 298), a tripod, on the base
of which are the words Ἀκαμαντὶς ἐνίκα φυλή, showing that it is
intended for a monument in honour of a choragic victory, with the name
of the victorious tribe. On a sepulchral stele on a B.F. funeral
amphora at Athens[2192] are the words (now nearly obliterated) ἀνδρὸς
ἀπ[οφθιμ]ένοιο ῥάκ[ος] κα[κ]ὸν [ἐν]θάδε κεῖμα[ι, “Here lie I, a vile
rag of a dead man.” Similarly, on a sepulchral plaque at Athens are the
words, [SÊMATODESTIN : AREIOU], “This is the grave of Areios.”[2193] In
a representation of Sappho reading from her poems, she holds an open
roll, on which are visible the words Θεοί, ἠερίων ἐπἐων ἄρχομαι ἄλλ[ων]
... ἔπεα πτερόεντα[2194]; and in the well-known school-scene on the
Duris vase in Berlin[2195] a teacher holds a roll, on which are the
words (in Aeolic dialect, and combined from the openings of two
distinct hymns):
[ΜΟΙΣΑΜΟΙ] Μοῖσά μοι
[ΑΦΙΣΚΑΜΑΝΔΡΟΝ] ἀ(μ)φὶ Σκάμανδρον
[ΕΥΡΩΝΑΡΧΟΜΑΙ] ἐύρ(ρ)ων ἄρχομαι
[ΑΕΙΝΔΕΝ] ἀεί<ν>δειν.[2196]
A small fragment of a red-figure kylix (?) of fine style, found at
Naukratis in 1899 (and now in the Ashmolean Museum at Oxford),[2197]
has a similar scene of a dictation lesson. A seated figure unrolls an
inscribed scroll, on which is the _boustrophedon_ legend, στησίχορον
ὕμνον ἄγοισαι, while another figure, of which the right hand alone
remains, is writing on a tablet (Fig. 177).
[Illustration: FIG. 177. FIGURE WITH INSCRIBED SCROLL.]
In a very puzzling scene on a R.F. vase of fine style, generally
supposed to have some reference to the Argonautic expedition, one
figure holds up an object inscribed with the name [ΣΙΣΥΦΟΣ].[2198] This
object has generally been interpreted as a _tessera hospitalis_, or
“letter of introduction,” as we should say.
Public-domain text, read in full here on John Shaqi.
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