History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
As Mayer has pointed out, there cannot here be any question of a very
ancient class of vases, but rather of one of eclectic character. The
Geometrical tendency appears chiefly in the north of the district,
where the influence of Peucetia (see below) was felt. The vegetable
ornaments, he suggests, have affinities with those of “Rhodian”
vases.[2389] The date can hardly be earlier than the fifth century.
[Illustration:
From _Notizie degli Scavi_.
FIG. 186. KRATER OF “PEUCETIAN” FABRIC WITH GEOMETRICAL DECORATION.
]
The fabrics of Central or Peucetian Apulia centre, as has been noted,
round Bari. They are all of a strongly Geometrical type, but the system
of ornamentation is freer and more varied than in the Messapian class.
They are easily recognisable by their forms and characteristic designs,
painted only in brown or black. Here, again, the typical form is a
krater, in which the handles are either arched in vertical fashion or
else form flat bands. It has a shallow, spreading lip. The patterns are
arranged in panels and bands, and are often executed with great care.
Fig. 186 gives an example from Sala Consilina in Lucania.[2390] The
favourite motives are chequers, zigzags, the “hour-glass,” hook-armed
crosses, and lozenges filled with reticulated pattern, neatly arranged
in friezes or saltire-wise. Round the lower part of the vase is often
found what may be described as a comb-pattern, and on some vases is a
curious rudimentary form of the maeander, arranged in triangles or
diagonal crosses. Among the other shapes are a small askos with
ring-handle on the back, a sort of high stand like a fruit-dish, large
cups and bowls, and the _orcio_ already mentioned. One of the finest
examples is a krater from Ruvo in the Jatta collection,[2391] with
twisted handles and a very elaborate system of ornamentation, chiefly
diaper and maeander patterns.
Like the Messapian, the Peucetian or Apulian pottery seems to have
flourished during the fifth century[2392]; but there are some vases
which seem to form connecting-links with their Hellenic prototypes, and
probably belong to the sixth century.[2393] In any case, both fabrics
must be regarded as much earlier than previously supposed; they are
certainly not late archaistic work, and time must be allowed for their
disappearance when the Hellenic fabrics of Apulia begin. In placing the
majority of the products between 600 and 450 B.C., we shall probably
not be far from the truth, although M. Pottier[2394] would throw the
origin of the fabrics as far back as the eighth century.
-----
Footnote 2246:
See especially Pottier, _Louvre Cat._ ii. p. 285 ff., and Gsell,
_Fouilles de Vulci_, p. 315 ff.
Footnote 2247:
i. 94.
Footnote 2248:
_Sat._ i. 6, 1.
Footnote 2249:
i. 30.
Footnote 2250:
_Op. cit._ p. 297.
Footnote 2251:
_Frag. Hist. Graec._ ed. Didot, i. p. 45: ἐπὶ Σπινῆτι ποταμῷ (the
name of one of the mouths). He calls them here Pelasgians.
Footnote 2252:
Public-domain text, read in full here on John Shaqi.
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