Nearly all the contents of this tomb are now in the British Museum (Etruscan Saloon, Cases 126-35): see Micali, _Mon. Ined._ pls. 4-8; Dennis, _Etruria_^2, i. p. 457 ff.; C. Smith in _J.H.S._ xiv. p. 206. Footnote 2284: A most trustworthy reproduction of this vase and its decoration, made by Mr. F. Anderson, is given in _J.H.S._ xiv. pls. 6-7. Footnote 2285: Cf. throughout the François vase. Footnote 2286: Micali, _op. cit._ pl. 5, fig. 2. Footnote 2287: _Cat._ 1543. Footnote 2288: _Cat._ C 617-18. Footnote 2289: _Bull. dell’ Inst._ 1881, p. 167, No. 26. Footnote 2290: The hydria is a form of essentially Ionic origin, the earliest examples being found in the “Caeretan” and Daphnae fabrics (see Chapter VIII.). Footnote 2291: _Cat. of Terracottas_, B 630 = Fig. 183. Footnote 2292: Micali, _Mon. Ined._ pl. 58; Dennis, _Etruria_, i. p. 34 ff. Footnote 2293: Cf. an oinochoë in the British Museum, A 633; and see _J.H.S._ x. p. 126. Footnote 2294: _Mus. Greg._ i. pl. 15 ff.; Helbig, _Führer_, 1899, ii. p. 344 ff. Footnote 2295: _Notizie degli Scavi_, 1887, pls. 14-18. Footnote 2296: _Bull. dell’ Inst._ 1876, p. 117 ff., and _Mon. dell’ Inst._ x. pls. 31-33. The art of Praeneste, though a Latin town, was wholly Etruscan. Cf. the later series of bronze cistae found here. Footnote 2297: Martha, _L’Art Étrusque_, p. 462. Footnote 2298: _Louvre Cat._ ii. pp. 294, 315. Footnote 2299: _Traité_, i. p. 414: see Blümner, _Technologie_, ii. p. 62. It may be compared with the analysis of the clay of Greek vases given in Vol. I. p. 203. Footnote 2300: Cf. Micali, _Mon. Ined._ pls. 28-30. Footnote 2301: Micali, _op. cit._ pls. 28-32. Footnote 2302: Cf. _Arch. Zeit._ 1884, pl. 8, fig. 1, and the reliefs from Sparta, _Ath. Mitth._ 1877, pls. 20-4. Footnote 2303: Cf. _Ann. dell’ Inst._ 1877, pls. U, V; Micali, _op. cit._ pls. 27-32. Footnote 2304: See Pottier, _Louvre Cat._ ii. p. 324 ff. Footnote 2305: Cf. B.M. A 379 with _Bronze Cat._ Nos. 385, 436-37. Footnote 2306: See also on the subject generally, _Gaz. Arch._ 1879, p. 99 ff.; Pottier, _Louvre Cat._ ii. p. 314 ff.; Martha, _L’Art Étrusque_, p. 462 ff.; and Gsell, _Fouilles de Vulci_, p. 445 ff. Footnote 2307: vi. 343: cf. Pliny, _H.N._ xxxv. 158-59, and Chapter XXI. Footnote 2308: ii. 60. Footnote 2309: xiv. 98: cf. p. 479. Footnote 2310: See Perrot, _Hist. de l’Art_, i. p. 308. Footnote 2311: See _Cat. of Bronzes_, No. 600, and _Cat. of Terracottas_, D 215. The bronze plates were formerly made up into the shape of a shield, with many restorations; but on removing these, the true form was discovered. The body of the chair is modern. Footnote 2312: _Mus. di Ant. Class._ i. p. 299 ff., with many examples on pls. 9, 9_a_, 11-13. Fig. 181 is from pl. 9, figs. 9, 9_a_. Footnote 2313: