History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
Baths, either public or private, walls and military fortifications,
were built of bricks, the latter being thus better able to resist
attacks than if they were of stone. Temples, palaces, amphitheatres,
the magnificent aqueducts and the cisterns with which they
communicated, were also usually of this material. Of these, numerous
remains exist in Rome and other places, such as Cumae and Pozzuoli. The
aqueduct made by Nero from the Anio to Mons Caelius is of brick, that
of Trajan partly so; the _aqua Alexandrina_ of Severus Alexander (A.D.
229) and that existing at Metz are wholly of brick, and so are the
_castella_ or reservoirs made by Agrippa when he constructed the Julian
conduit over the Marcian and Tepulan.[2426] It is true that Augustus
boasted that he had found Rome of brick and left it marble[2427]; but
it must be remembered, firstly, that Suetonius uses the term
_latericiam_, which may denote unburnt brick; secondly, that the phrase
is probably to be limited to public buildings and monuments, in which
there was an increased use of marble for pillars and roofs. For walls
brick and concrete continued to be used, as in private buildings, with
a covering of stucco in place of marble incrustation.
In the first century of the Empire brick-making was brought to
perfection, and its use became universal for private and public
buildings alike; the mortar of the period is also of remarkable
excellence. The Romans introduced brick-making wherever they went; and
even their legions when on foreign service used it for military
purposes. But of pure brick architecture, as we see it, for instance,
in the Byzantine churches of Northern Italy, there was no question
until comparatively late times. It was always covered over with marble
or stucco until the second century of the Empire. Examples of
sepulchral buildings wholly in brick, of the time of Hadrian, may be
seen in the tomb before the Porta San Sebastiano at Rome, known as the
temple of Deus Rediculus. This has Corinthian pilasters with a rich
entablature, red bricks being used for architectural members, yellow
for the walls; the capitals are formed of layers of bricks. Of
Hadrian’s time are also the guard-house of the seventh cohort of
Vigiles across the Tiber, of which a small part remains, and the
_amphitheatrum castrense_ on the walls of Aurelian.[2428]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account