History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)Walters, H. B. (Henry Beauchamp)
History
History of Ancient Pottery: Greek, Etruscan, and Roman. Volume 2 (of 2)
Walters, H. B. (Henry Beauchamp)
Mythology, Classical, in art; Pottery, Ancient; Pottery, Etruscan; Pottery, Greek; Pottery, Roman
She is frequently associated with the gods, either in scenes from
mythology or in groups apart from action[1023]; usually she pours
libations to them, or crowns them in reference to some achievement.
Thus we find her with Zeus,[1024] with Hera,[1025] with Athena,[1026]
with Poseidon and Dionysos,[1027] with Apollo (especially at his
victory over Marsyas),[1028] with Artemis Elaphebolos,[1029] and with
Aphrodite.[1030] She frequently crowns or pours libations to Herakles,
or attends him at his apotheosis[1031]; on the later vases she takes
Athena’s place in conveying him in a chariot to Olympos.[1032]
Among the numerous mythological events in which Nike plays a more or
less symbolical part may be mentioned the Gigantomachia, in which she
drives Zeus’ chariot,[1033] the birth of Athena,[1034] the sending of
Triptolemos,[1035] the Judgment of Paris,[1036] the birth of
Dionysos[1037] and that of Erichthonios,[1038] and the punishment of
Ixion.[1039] Among Trojan scenes she appears with Achilles
arming,[1040] at his (supposed) fight with Telephos and possibly also
at that with Memnon,[1041] and at the carrying off of the
Palladion.[1042] She is also seen with Herakles in the Garden of the
Hesperides,[1043] with the Dioskuri,[1044] with Perseus and
Bellerophon,[1045] with Orestes at Delphi[1046]; crowning Hellas as the
victor over the Persians[1047]; and in many scenes with Dionysos.[1048]
More numerous and characteristic, however, are the scenes in which she
appears as a single figure, or associated with mortals, usually
victorious warriors or athletes. As a single figure she most commonly
pours a libation over an altar,[1049] or flies towards the altar
bearing a torch, incense-burner, lyre, tripod, sash, or other
attribute[1050]; in one case (unless Iris is intended) a jug and
caduceus.[1051] Especially characterised as the goddess of Victory, she
often holds a palm-branch.[1052] She frequently takes part in religious
and sacrificial ceremonies, such as the decoration or dedication of a
choragic tripod,[1053] or burns incense,[1054] or herself sacrifices a
ram or bull.[1055] The last-named subject is, however, commoner on gems
and a certain class of terracotta reliefs.[1056] On one vase she gives
drink to a bull[1057]; or, again, she rides on a sacrificial
bull[1058]; or places a hydria on a fountain or altar.[1059] She
pursues a hare, doe, or bird,[1060] or offers a bird to a youth.[1061]
On the later Panathenaic amphorae and elsewhere she holds the
ἀκροστόλιον or stern-ornament of a ship[1062]; and sometimes she erects
a trophy.[1063]
[Illustration: FIG. 124. NIKE SACRIFICING BULL (BRITISH MUSEUM F 66).]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account