dogma generally accepted till the appearance of the theory of descent,
we should be justified in demanding proof; but since dogmas as a rule
do not admit of proof, Linnaeus simply states his view[32], unless we
are to take the sentence, ‘negat generatio continuata, propagatio,
observationes quotidianae, cotyledones,’ as proving the assertion that
new species never appear. We shall see further on to what surprising
conclusions Linnaeus was himself led by his dogma, when he had to take
into account the relations of affinity in genera and larger groups. The
species and the genus, he continues, are always the work of nature,
the variety is often that of cultivation; the class and the order
depend both on nature and on art, which must mean that the larger
groups of the vegetable kingdom have not the same objective reality as
the species and the genus, but rest partly on opinion. That Linnaeus
estimated the labours of the systematists after Cesalpino and the
contributions of the German fathers of botany up to Bauhin, as they
have been judged of in the present work, is shown by paragraph 163,
where he explains the word habit, and adds that Kaspar Bauhin and the
older writers had excellently divined (divinarunt) the affinities of
plants from their habit, and even real systematists had often erred,
where the habit pointed out to them the right way. But he says that the
natural arrangement, which is the ultimate aim of botany, is founded,
as the moderns have discovered, on the fructification, though even
this will not determine all the classes. It is interesting therefore
to observe how Linnaeus further on (paragraph 168) directs, that in
forming genera, though they must rest on the fructification, yet it is
needful to attend to the habit also, lest an incorrect genus should
be established on some insignificant mark (levi de causâ): but this
attention to the habit must be managed with reserve, so as not to
disturb the scientific diagnosis.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account