distinct reference to Cesalpino. He says that he establishes no classes
himself, but only orders; if these are once obtained, it will be easy
to discover the classes. The essence of the natural system could not
have been more clearly expounded in Linnaeus’ time, than it is in
these sentences. He established as early as 1738 sixty-five natural
orders, which he at first simply numbered; but in the first edition
of the ‘Philosophia Botanica’ in 1751, where the list is increased to
sixty-seven, he gave a special name to each group; and he showed his
judgment by either taking his names from really characteristic marks,
or what was still better, by selecting a genus and so modifying its
name as to make it serve as a general term for a whole group. Many of
these designations are still in use, though the extent and content
of the groups have been greatly changed. This mode of naming is an
important point, because it expresses the idea, that the different
genera of such a group are to some extent regarded as forms derived
from the one selected to supply the name. Many of Linnaeus’ orders
do in fact indicate cycles of natural affinity, though single genera
are not unfrequently found to occupy a false position; at all events,
Linnaeus’ fragment is much the most natural system proposed up to 1738,
or even to 1751. It is distinguished from Kaspar Bauhin’s enumeration
in this, that its groups do not run into one another, but are defined
by strict boundaries and fixed by names.
The Linnaean list is distinctly marked by the endeavour to make first
the Monocotyledons, then the Dicotyledons, and finally the Cryptogams
follow one another; that the old division into trees and herbs already
rejected by Jung and Bachmann, but still maintained by Tournefort and
Ray, disappears in Linnaeus’ natural system will be taken for granted
after what has been already said of it, and from this time forward this
ancient mistake is banished for ever.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account